Libertine Fall 2024

Day One of New York Fashion Week (NYFW) kicked off with a bang! Libertine, a luxury ready- to-wear brand unveiled their fall 2024 collections for men and women. With lines stretching down the block full of industry professionals and influencers trying to get into the Starrett-Lehigh, Fashion Reverie expected an exciting show!!

 Libertine creative designer Johnson Hartig did not disappoint. The collection was filled with luxurious details. The runway was awash in sequins, colorful flowers, black and white checkered pants, and veiled headbands. Also incorporated into this collection is one of Fashion Reverie’s favorites, the embellishment trend. Vibrant colors, lively prints and crystal embroidery reigned supreme.

Hartig drew inspiration, through deep hypnosis sessions, from the lives of creatives Jean Cocteau, Mary Quant, Peggy Guggenheim, and Lord Bryon emerged! The designer says, “Peggy Guggenheim emerged three times, suggesting a strong kinship between them while expressing a desire to wear Libertine and jazz it up a bit.”

Embellished blazers and graphic prints are what the brand is known for, and the DNA aesthetic of Libertine allows consumers to go from daytime to nighttime in the same look!  And there are lots of buttons on garments in this fall 2024 as is true to the brand DNA of Libertine. However, this season the decorative buttons have a historical reference. These buttons heavily adorn coats and sunglasses, and in some cases, reference the iconic Peggy Guggenheim who always wore signature sunglasses.

In addition to historically referenced buttons, Hartig took lines from Byron’s 1816 poem “Darkness,” placing those lines on black on ivory and ivory on black suits and coats. These prints, so to speak, also contain images of Hartig, friends, dogs and the personal belongings of the Libertine staff.

Images courtesy of Libertine

True to form this fall 2024 collection is an assemblage of several reference points, but it all miraculously comes to gather in a cohesiveness that is unique to Hartig. Bravo Johnson!!

Renessta Olds

Givenchy Men’s Fall 2024

Like many fashion brands this season, Givenchy looks to redefine and reinvent masculinity.  Givenchy Creative Director Pierpaolo Piccioli wants to reinterpret masculine silhouettes as a tool in dismantling machoism and toxic masculinity. And his fall 2024 men’s collection reflects this sentiment.

In previous collections Piccioli was heavily influenced by youth culture, resulting in a more casual and ease of movement collection. That point of view was evident in the brand’s fall 2024 collection with Piccioli looking to reinvent the traditional men’s suit.

Instead of the ‘Brooks Brother-like’ suit in neutral tones with a skinny tie and white dress shirt, Piccioli redefined men’s suiting by taking streetwear/urban looks—hoodies, denim, oversized pants, and tracksuits—and creating those urban-inspired garments in luxury, soft fabrics, with chiffon linings and more feminine, rounded shapes. And Piccioli’s perspective on a softer masculinity works!!

This fall 2024 men’s collection proves that Piccioli has his fingers on the pulse of what young consumers want, even if some consumers don’t know that they want to go in this direction. No longer do young male consumers seek to affirm their masculine swagger with looks that are overtly masculine. As demographics shift and change, and cultures adapt and redefine themselves, so have male consumers.

And while some menswear brands and collections are struggling to keep up with this expansion of masculinity, other brands, like Givenchy, are already ahead of the curve. Piccioli sensitivity to changing perceptions is evidenced in a much more global approach to masculinity, taking this fall 2024 collection out of the limitations of how the Western world experience a menswear aesthetic.

Images courtesy of vogue.com

Though this collection is heavy on neutral tones—dark blues, black, greys, and white—there are some pops of color. And Piccioli keeps the clean, sleek lines that his design aesthetic is known for while pushing this collection into the next iteration of menswear. His customers will be very pleased.

—William S. Gooch

 

 

Balmain Men’s Fall 2024

Change is inevitable, it is a constant that is very dependable. And no industry reflects more than the fashion industry.

Still, change in the fashion industry usually appears in the form of new models, fashion brands that go in and out of style, or design silhouettes or styles that are no longer trending. Rarely does change in the fashion industry reflect a change in demographics or a beauty evolution.

Olivier Rousteing’s fall 2024 men’s collection for Balmain reflects that type of readjustment. And the change or readjustment in fashion is already here, not projection toward what future holds.

 The most obvious expression of this change is Rousteing’s expansion of masculinity for the Balmain male consumer. Rousteing has always provided his male customer with beaded leather jackets, bold color, binary silhouettes, and glitz and glam. Consider his fall 2017 collection inspired by Queen with a medley of Queen’s greatest hits as the backdrop for the fall 2017 runway show.

In this outing, Rousteing expands his penchant for reimagining masculinity as seen through the lens of modernity and what some adventurous male consumers want to present in the world. That male consumer does not have a retiring presence or seeks to blend in. This consumer is bold, risk-taking, and extremely confident.

For that type of male consumer, this loud—but not ostentatious—collection more than fits the prescription. Yet, Rousteing, following the directive of iconic fashion editor Diana Vreeland, had a lot of next in this collection. In fact, at times, there is more next than now. Still, we need that right now in fashion. Collections that push the proverbial fashion envelope more than making consumers comfortable with their ideas of how they want to dress, giving them something to aim for.

What also stands out in this fall 2024 collection is how Rousteing realized several African themes in this outing. In the middle of the runway show there was a homage to Congo’s sartorial cult, the sapeurs.

There was also a print collaboration with Accra based Prince Gyasi. The Prince Gyasi image was screen printed on clothing, making for an interesting mix of pop art and expanded masculine silhouettes. Additionally, Rousteing used Cameroonian Ibby Njoya collaborative art on suitcases and other travel luggage.

Still, these infusions were not the only things that pushed this fall 2024 collection into the stratosphere. There was huge African and Asian model presence in this runway show. While in the past five years we have experienced a much larger model of color presence on runways and in fashion campaigns, Rousteing pushed that presence even further.

Images courtesy of Daniele Oberrauch/gorunway.com

Add to this expanded model of color experience, Rousteing employed wonderful high-waisted pants and padded shoulders married with an explosions color. And with Naomi Campbell closing the show in a padded beige cashmere coat with a surrealist belt whose fastening was two hands clasped to hold a golden bouquet of golden flowers, we assured that change and a new era is already here!!

—William S. Gooch

Louis Vuitton Men’s Fall 2024

For his second men’s fall 2024 collection for Louis Vuitton, Pharrell Williams looked to American indigenous cultures and the American cowboy for inspiration. Similar to Williams’ debut collection, Williams’ is diligently putting his own personal stamp on the historic French luxury house.

By injecting American themes into his Louis Vuitton men’s collections, Williams is making a dramatic statement of his intention of redefining Louis Vuitton’s men’s collection as a luxury menswear line that is reinterpretation luxury for the modern consumer and as a brand that is establishing deep roots in urban culture.

While some fashion purists may be outraged at this direction—though Virgil Abloh set the brand on this path under his auspice with less vitriolic discomfort—all luxury fashion brands are struggling to attract younger consumers as their previous consumer base is purchasing far less merchandise or is dying off. Williams, aware of changing demographics, understands that urban culture is a central motivating force among young consumers. Williams is also uniquely aware that Asian and black consumers have outpaced white buyers when it to comes purchasing luxury goods. With those two facts in mind, his creative overhaul of Louis Vuitton is necessary.

Creatively and politically this collection is noteworthy. By conjuring up images of American indigenous cultures, Williams is making a statement on the lack of American indigenous aesthetics in luxury fashion. But this political statement doesn’t just stop there. Williams includes American indigenous craftsmen and indigenous models in this fall 2024 collection.

While this collection was heavily inspired by American themes, this sophomoric collection contained more creative expansiveness than Williams’ debut collection. Williams’ first collection for Louis Vuitton men was more about William making a signature statement about his arrival at the iconic luxury house and injecting his personal aesthetic onto Louis Vuitton. And while this collection was heavy on Williams’ design aesthetic, Williams found an ingenious way of injecting indigenous cultures without pandering and appropriating American indigenous cultures the way some have in the past.

Williams used American indigenous cultures as a starting point to bring in the influences of an expansive masculinity, streetwear culture, and redesigned denim. Additionally, Williams helps consumers see indigenous cultures in a more modern and innovative way.

Williams overtly drew inspiration from not only native cultures, but all the appropriated visions of native cultures found in cinema evidenced in the fancifully imprinted denim chaps and wide-legged pants, Country Western jackets, duster coats, and fringed leather jackets. He also found a very interesting way to incorporate the ‘Damoflage’ Louis Vuitton signature print in a way that evokes Western cowboy culture.

Image courtesy of Filippo Fior/gorunway.com

With this collection Pharrell Williams is proving that he is not a one-hit wonder for Louis Vuitton, but that he is continuing to expand the brand to a more global audience with fresh, innovative ideas. Williams brings so much of what consumers desire in present time, next for Williams is injecting a bit more luxury into this luxury behemoth and creating what consumers want before they know they want it. The best is yet to come!!

—William S. Gooch

Morilee Bridal Fall 2024

2023 is a very special for the Morilee bridal brand. In fact, this year is their 70th anniversary. That’s right the 70-year anniversary with Madeleine Gardner at the helm for over two decades.

In celebration of its 70th anniversary, Gardner marries traditional bridal silhouettes with a modern elegance and opulent glamor. There’s lots of tailored layering, as well as sculptural necklines with some beautiful hand beading. Additionally, each gown exudes movement and a modern sensuality which all so necessary for modern brides.

What especially stood out at this runway presentation was the joy that each model brought to each appearance on the runway.  There was pride, there was sass, and above all the models really understood how to show off the bridal gowns. Which is understandable, after all this was the 70th anniversary of the brand, so a celebratory mood was in order.

This fall 2024 collection was an homage to Morilee. Still, the collection didn’t start and stop as a look backward retrospective, there were several bridal gowns that demonstrated that this collection was not just a tribute.

Images courtesy of Atelier PR

Standouts in this collection included, but were not limited to, the strapless A-line wedding dress with optional sleeves made with organza and Mikado, strapless fit-and flair wildflower tulle wedding dress with a sweetheart neckline, off-the-shoulder ball gown in tulle with a layered fabric, and long sleeve trumpet wedding dress with a bateau neckline in tulle.  And it must be noted that the ballgown with black floral bodice, embellished with white floral rosettes was an absolute stunner and showstopper.

William S. Gooch

Peter Langner Bridal Fall 2024

If you follow bridal collections, you are aware that Peter Langer’s bridal collections are a mix of traditional bridal silhouettes and modern bridal perspectives. For his fall 2024 bridal collection, Peter Langer employed sustainable fabrics to impact the environmental challenges of climate change and global footprint of pollution.

In this fall 2024 bridal collection, entitled “The Responsibility of Beauty,” Langner understands that beauty for beauty’s sake does exist in world of its own. Beauty does have a responsibility, a responsibility to not just to inhabit the sphere of beauty but a responsibility to sustainability and the environment. There is an intersectionality to all things.

Additionally, Langner looked to the intersectionality of where beauty and opulence meet for his fall 2024 bridal collection. This rarefied space, though fantastical, is obtainable in this fall bridal outing.

Drama and taste for the spectacular reign supreme in Langner’s fall 2024 bridal collection. And though the drama is palatable, there is much to choose from that will appeal to a wide selection of bridal customers.

Like many of his bridal collections, Langner includes some red-carpet gowns from his ready-to-wear collection. These red-carpet additions reflected Langner’s penchant for spectacle and drama evidenced in exciting, asymmetrical embellishments.

Still, this review is centered on Langner’s bridal collections. And this bridal collection was stunning, with a few misses, despite the glamour.

Images courtesy of theimpression.com

Keep up the good work. Bravo, Peter!!

William S. Gooch

 

NARDOS Bridal Fall 2024

The US bridal market continues to attract bridal designers from the international market that are looking to make inroads in the largest bridal market in the world. Every season New York International Week plays host to international bridal designers that present during bridal week. Unfortunately, some international designers present for a few seasons and then disappear. With the American bridal market being flooded with designers it is no surprise this this market is hard to crack.

Nardos Imam is not one of those designers. Not only has she very quickly taken the American bridal market by storm, with her ready-to-wear debut during the recent New York Fashion Week (NYFW) spring season, she is also making inroads in the ready-to-wear market. Additionally, she has opened a standalone, brick and mortar store in New York City.

For her fall bridal 2024 collection, the brand conjured up timeless beauty. And beauty that extended beyond trends and time was the essential element of this collection.

“When envisioning our fall collection for the winter bridal fashion week. I drew inspiration from the texture and the blossoming essence of a bride’s journey down the aisle. The beauty lies in the textures, the purity, and the anticipation of the future. Our dresses symbolize a timeless connection, reminiscent of old churches, adorned with vintage headpieces,” explained Nardos Imam.

This collection contained 20 looks, all of which were the epitome of timeless beauty and elegance with an injection of modern sensibility. It should also be noted that this collection is an extension of classic silhouettes, updated for the modern bride.

Like so many bridal designers of her ilk, Nardos Imam understands that the excitement of collections is not always in creating something new—if that is even possible—but building on what already exist and presenting it in a new and interesting way. In the words of the great choreographer George Balanchine, “only God creates, I only assemble very well,” True to that quote, Nardos’ bridal collections are expertly assembled.

Images courtesy of Atelier PR

Standout looks in this fall 2024 collection include, but are not limited to, the brand’s strapless deco sequin tiered tulle column dress, mini ruffle organza babydoll dress, lace embroidered sweetheart gown featuring a pleated overskirt, and tulle cap with hand-embroidered acrylic and 3D flowers with mini silk Mikado dress.

—William S. Gooch

Ese Azenabor Bridal Fall 2024

If you have never attended an Ese Azenabor bridal show, you are missing a treat. As one of the newer bridal designers presenting bridal collections during New York International Bridal week, Azenabor sophomore collection was even more impressive than her debut collection in April of this year.

Azenabor’s fall 2024 bridal collection reflected her fascination with flowers. “This collection is inspired by my love of flowers. I’ve named my Fall 2024 Collection “Blossom” because each piece celebrates the shapes and textures of flowers in full blossom,” explained Azenabor.

Florals for a spring bridal collection is far from an original idea. It’s been done before, ad nauseum. However, with Ese Azenabor,no  floral bridal collection has ever been presented in such a glamorous and luxurious way. Almost to the level of being excessive, but not quite.

Nigerian weddings are a huge affair, no expense is spared. And Azenabor brings this aspect of her Nigerian culture to her collections. These bridal gowns are not for wallflowers or shrinking violets. These gowns are designed for that bridal customer who wants to make a huge impact. And these visions of beauty will last a lifetime.

There was a bevy of beautiful bridal creations in the fall 2024 bridal collection, and the St. Regis Hotel ballroom was the perfect venue to present this collection. Here are a few of the standout bridal gowns in this fall 2024 collection.

Standouts include the Mikado strapless shift dress with 3D floral cape finished with beaded embellishments, fit and flair gown covered in pearls with strands of pearls creating a draped off-shoulder, short strapless with dramatic floral structure covering entire front of gown and detachable petal overskirt, drop waist long-sleeved gown with mandarin collar, and full A-line gown with high-curved point strapless neckline.

Images courtesy of Atelier PR

The New York bridal market is all the better with the addition of Ese Azenabor. And finally, the New York bridal market is reflecting the much-needed diversity that modern bridal consumers merit and want.

William S. Gooch

Ines di Santo Bridal Fall 2024

If you have ever been to an Ines di Santo show you are confident that she will always deliver great bridal fashions. And her fall 2024 bridal collection was no exception.

“Whether it is a sultry corseted silhouette or a soft and flirty A-line, my interpretation in the way I cut and sculpt my gowns is to make my brides feel their absolute best. I want to celebrate and honor women from all walks of life, and the greatest compliment I receive from my bride is when they tell me they felt strong and confident on their wedding day,” explained di Santo.

And she overwhelmingly accomplished that goal with her fall 2024 bridal collection. This “modern perspective” collective gave voice to the ever-changing landscape of bridal aesthetics juxtaposed against modern architecture, as well delivering to the modern consumer a collection that speaks to the needs of modern brides.

That modern bridal consumer will be aptly satisfied with this fall 2024 collection that hinges on di Santo’s use of innovative interior construction married with the brand’s utilization of transparent layers over frameworks of corsetry. These combinations of structure and innovation have created voluminous shapes and silhouettes that embody modern femininity and sensuality. These combinations will sit well with di Santo’s modern consumer.

Images courtesy of Atelier PR

Though this collection had slightly less gowns than in previous outings, there was no shortage of innovation and glamour. And as in previous collections, di Santo dresses her bride at every jointure of her nuptials.

With this fall 2024 bridal collection, Ines di Santo continues to prove that she has her fingers on the pulse of what modern bridal consumers are looking for looking with an additional fashion-forward sensibility that will have brides coming back for me. Bravo, Ines di Santo!!

William S. Gooch

Justin Alexander Bridal Fall 2024

Justin Alexander’s fall bridal 2024 collection is entitled the “Art of Waiting.”  This is an appropriate title and inspiration for the mere fact that wedding nuptials are very special and based on couples waiting to find each other and experiencing that very special love.

“Step into a world where time stands still and love blossoms in patient hearts. The “Art of Waiting” collection draws inspiration from the profound beauty of waiting for one of life’s most cherished gifts and the timeless charm of patience that grounds us like the calmness of the sea. The collection is filled with 3-D florals, tactile jacquards, modern necklines, blossoming silhouettes, and just the right amount of sparkle. Each gown is meticulously crafted with exceptional skill and represents an embodiment of grace, elegance, and strength as we anticipate the most beautiful life changing moments,” detailed Justin Alexander.

As with all of Justin Alexander’s bridal collection there is something for every bride. There are several gowns that are very traditional with a few modern touches.

What does standout in this outing is Alexander employ of the 3-D florals that are strategically placed on several gowns. Additionally, the sensuality of this collection is a wonderful, fresh approach that sets this collection apart.

Image courtesy of Justin Alexander

Standout looks in this collection is the brand’s Grecian-inspired charmeuse one-shoulder gown with high slit, crepe A-line gown with exposed boning off-the-shoulder gown with high slit, fit-to-flare off-the-shoulder gown with 3-D floral embellishments on the bodice and shoulder straps, and the stretch Mikado and lace A-line wedding gown with illusion bodice.

William S. Gooch

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