The Blonds Fall 2025

Old Hollywood, but make it modern. This was the theme of The Blonds fall 2025 runway collection, which debuted to designers David and Phillipe Blonds’ guests at FiDi Bank Hall.

The Blonds paid homage to the opulence of the Golden Age of Hollywood but still kept the brand’s sparkling, club-ready aesthetic. Phillipe Blond opened the show wearing a crystal-encrusted gold jacket, accessorized with fishnet tights and thigh-high black boots. The choice to drip the jacket in white crystals was a subtle homage to the iconic Marilyn Monroe song “Diamonds Are a Girl’s Best Friend,” from her iconic role in “Gentleman Prefer Blondes.”

Hollywood’s golden era was also known for stars wearing chic fur coats, ranging from mink to chinchilla. For one look, The Blonds created a fur mini dress with crystal trim and a complementary fascinator. The look was paired with Betty Boop-style dotted tights and chic platform heels. The Blonds’ use of fur didn’t stop there, as they created a one-shoulder, floor-length all-fur gown. Forget fur as outerwear, now it’s a full evening gown.

In an homage to the Ziegfeld girls—the term broadly used to describe the performers in American Broadway impresario Florenzo Ziegfeld’s theatrical revue, known as the Ziegfeld Follies—The Blonds’ latest collection was also heavy on the feathers. A black crystal bodice was accented at the neckline with grandiose teal feathers, and another gold crystal bodice had an asymmetrical bra cup detail, where a cornucopia of peach feathers replaced the bra cup.

Images courtesy of theimpression.com

The collection was divided into two parts. The overarching concept was “The Global Glamazon!” Part one was described as “City Lights,” featuring sleek, confident cocktail attire with sparkling mini dresses and daring cutouts, with a touch of the silver screen. Part two was “Beach Nights,” featuring colorful sultry pieces with shimmering metallic details and bold looks designed for a glamorous evening under the stars. The collection was still cohesive, sticking true to The Blonds’ love of crystals, corsets, and party-chic. Gentlemen still do prefer Blonds.

—Kristopher Fraser

 

 

 

 

Kevan Hall Fall 2025

Kevan Hall’s fashion collections during New York Fashion Week (NYFW) is one of the most anticipated shows of the NYFW season. That said, for fall 2025 Kevan Hall presented his collection minus models, minus hot struts on the runway.

Instead, Kevan Hall opted for a more sedate setting with his 12-piece collection on mannequins with additional archival looks worn by Vanessa Williams, Charlize Theron, and Naomi Campbell. This fall 2025 outing, “Journey to Japan,” was sponsored by Japan Airlines and was inspired by Hall’s trip to Japan to learn and celebrate three revered Japanese techniques.  Suminagashi, the art of liquid marbling, where flowing ink and fluid hand movements create mesmerizing patterns; Kintsugi, the restorative craft of mending broken pottery with gold, which inspired Hall’s vision of wholeness and unconventional patternmaking, and Indigo Dyeing, a meticulous, multi-step process of extracting vibrant color from fermented indigo plants, embodying the essence of cultural identity through color. 

Through these techniques, Hall forged deep connections with families preserving generational knowledge, resonating with their artistry on both an aesthetic and spiritual level. Inspired by their precision and care, Hall highlights the importance of preserving these cultural traditions for both local communities and global appreciation. 

The 12 looks in this collection were crafted from silk organza, indigo-dyed denim, and intricate motifs such as embroidered cranes and beaded dragonflies. And the detail and intricacy of these Japanese techniques embodied in this collection demonstrates that Kevan Hall not only knows what his customers want but that he also is primed and prepared to introduce new fabrications and techniques that his consumer base will also embrace.

Images courtesy of VERY New York

Though many of Hall’s New York fans may have missed how Hall’s exquisite models can tell the story of his collections through their movement and style, this presentation was no less representative of Kevan Hall’s seasoned fashion approach to the needs and desires of the modern consumer. May Kevan Hall continue to excite fashion pulses and dazzle consumers with his intricate, detailed, fashion-forward distillation of accessible fashion.
William S. Gooch

 

 

Alice + Olivia Fall 2025

Shakespeare is in Love and so is Fashion Reverie! One of the most anticipated shows of New York Fashion Week (NYFW), one of the hardest to get into and absolutely fab! I knew it would be a whole scene outside, so I made a mad dash over to the Alice + Olivia fall 2025 collection’s venue and joined the queue. The whole vibe was a party before I even entered the presentation. Stylists, editors, and influencers were filming, photographers were snapping photos everywhere and the celebrities were jumping out of cars and heading on inside. 

Once I was in, fashionreverie.com was in! Drinks were flowing, the lighting was moody, and the chatter was amplified by a wall-to-wall crowd. The collection was presented in a multitude of vignettes featuring a collection of textured, romantic, and fantastical pieces inspired by the world of Shakespeare and costumes of the Royal Shakespeare Theatre Company.

Images courtesy of vogue.com

Fashionreverie.com loves how Stacey Bendet of Alice + Olivia and the design team skip across the pond to visit Stratford-Upon-Avon in England that houses the Royal Shakespeare Company and the original costumes dating from the productions of 1879. There is a strong influence of the original costumes in Bendet’s latest fall 2025 collection that features a stunning black, velvet corseted dress, lace collars, and ruffles. Tweeds, mini-dresses, and jacquard pant suits added the modern touches to an amazing collection. You need to save your money now to purchase when the collection drops in stores.

—Renessta Olds

 

Christian Siriano Fall 2025

French artist Henri Matisse once said, “A thimbleful of red is redder than a bucketful.” The quote has been interpreted to mean that a small, concentrated amount of red can appear more intensely red than a large quantity of diluted red.

For his fall 2025 collection, Christian Siriano tested how full he could make an entire coterie of red clothes appear on the runway. From the moment guests entered the extravagant venue, which for this season, he opted for a small warehouse-sized in New York’s artsy Chelsea neighborhood, guests were immersed in a sea of red. A red carpet served as the runway, but, rather than an homage to Hollywood (the obvious assumption since Siriano is known for red carpet dressing), the collection touched on the current political climate.

Siriano has long been a champion of women’s empowerment and is known for how inclusive his world is. He’s dressed women of color and has been a champion of body diversity in fashion, often using more plus-size models than any other designer at New York Fashion Week (NYFW). The thimble of red that was redder than the bucketful in this case was a giant cape he designed, reminiscent of the costumes in “The Handmaid’s Tale.”

The Margaret Atwood novel, set in a dystopian future, takes place in a totalitarian society where a fundamentalist regime treats women as property of the state. Given the current attack on women’s rights in the United States, from the restriction of reproductive rights to the current presidential administration disengaging with the United Nations Humans Rights Council, it’s a rough era for women’s empowerment.

Despite the current political climate of the US, Siriano continues to incorporate glamour in his collections. In times of uncertainty and instability, it’s still important to make art. Fashion is the art we live in, so why not create some opulence and drama?

The show opened with supermodel Winnie Harlow in a black dress with an attached red off-the-shoulder ruched shawl and ruched red skirt. This opening look set the tone for the red-centric color palette, also accompanied by black. Siriano’s use of red included a halter top, midriff-baring dress, celebrating a woman’s freedom to show some skin, a red grommet trench coat for some fall edge, and a statement-making tulle bodice gown with a hoop skirt that supermodel Coca Rocha closed the show in.

Images courtesy of impression.com

In addition to his use of red and black, the color palette also featured blue, gold, and silver. Siriano has also been slowly expanding his men’s offerings, which is still finding its footing. A red turtleneck with a chest cutout seemed more nightlife-ready than eveningwear ready compared to his gowns. However, there were some men’s pieces pushing gentlemen to a bolder frontier, like a metallic red suit.

The range of his women’s looks are, as always, red-carpet worthy. NYFW is often criticized for how commercial it is, and while he is still trying to sell clothes and keep his celebrity clients happy, Siriano still found a way to bring both artistry and a red carpet-ready selection. In this case, he can have his cake and eat it, too.

Kristopher Fraser

Alexis Bittar Fall 2025

One of the most anticipated shows of New York Fashion Week (NYFW) and one that everyone was clamoring for an invite to was Alexis Bittar. Fashion Reverie was there and ready to view the latest collection to be unveiled by Self-taught jewelry designer Alexis Bittar. From the queue to the salon, you could feel the electricity and anticipation in the air. What would he do, what would the presentation look like? Bittar did not disappoint and beckoned us to step into a world where nostalgia meets futurism and bids us to come closer.

Bittar unveiled his fall 2025 rendering of his latest collection of jewelry and handbags. A collection of blending bold and energetic aesthetics from the 80’s and 90’s. (I wonder why those Lucite bangles felt so familiar and comforting.)

As a fan and celebrity global brand, Bittar has a cult following all over the world that includes celebrities and consumers. Bittar’s bold designs have been worn by Beyoncé, Michelle Obama, and Lady Gaga and have been featured in such top publications as Vogue and Interview.

Images courtesy of Karla Otto

Bittar’s accolades include the CFDA Accessory Designer of the Year (2010) and ACE Brand of the Year awards (2014, 2024). He has collaborated with Burberry, Michael Kors, and Mugler, cementing his status as a fearless innovator in fashion.

—Renessta Olds

Pamella Roland Fall 2025

Patrons of Pamella Roland’s fall show gathered in anticipation under the iconic Rainbow Room’s glowing orb of light and a crystalline chandelier. Smoke billowed around the room of the New York City landmark, its windows baring the nighttime city skyline.

For her fall collection, Roland struck inspiration from London, England’s “historic landmarks, bustling streets, and regal charm,” which was reflected in the rich color palette of jewel tones, detailed architectural motifs, and glamorous intricacies evocative of the “The Big Smoke.” The collection aimed at capturing the duality of London—its luxurious legacy and ever evolving status—much like the Pamella Roland wearer.

Musical and fashion lovers alike will clock that just last November, Marc Jacobs created looks for the musical version of “The Devil Wears Prada,” starring Vanessa Williams, which recently had its premiere in London’s West End, making the inspiration for the collection a likely pairing.

The show opened as the first look sauntered down the cascading stairs, evoking the collection’s intention: the vibrant elegance of London. An olive silk crepe back satin trench featuring an embroidered brooch on the lapel.

Roland catered to her luxury-loving consumer in this collection, with looks like the black crepe kaftan embroidered with a gold and silver sunburst fit for sashaying around a 70s-era London flat. Roland played up trends of the season, showing two looks in animal print. Twin zebra-print looks followed one another on the runway; a white satin coat with black zebra crystal embroidery and a matching cocktail dress to follow.

Images courtesy of vogue.com

Pamella Roland’s fall collection was a true celebration of a beautiful city across the pond, and her confident wearer.

—Marley Gifford

Frederick Anderson Fall 2025

Romance is one of the most popular concepts when it comes to almost any artistic art form, whether it’s music, paintings, or cinema. While fashion is very much an art form, aside from princess gowns when heroines get their prince in fairytales, romance isn’t always the first word that comes to mind when people think of fashion.

There is always the date night dress, but when people think of date night dresses, they often think of words like sexy or chic. Romance might be the act they are trying to achieve, but it’s not the adjective used to describe their clothes.

Frederick Anderson sought to change our association of the word romance when it comes to fashion. For his latest collection, the designer opened his show with Grammy-winning opera singer J’Nai Bridges singing “The Habanera” from George Bizet’s “Carmen.” The opening lyrics to “The Habanera” are “L’amour est un oiseau rebelle que nul ne peut apprivoiser” which translates to ”Love is a rebellious bird no one can tame.”

With a show just a few days shy of Valentine’s Day, Anderson chose an excellent time to celebrate love and romance. He also showed hints of a Valentine’s Day theme as he opened the show with a red suit with a black ruffle collar. Red was a key part of the color palette that made up this romance-inspired collection, which also featured black, white, green, and silver.

Outside of red, the color choices didn’t immediately say romance, but where he lacked in more statement colors, Anderson made up for in romantic details. Signature lace details were found in many dresses, and several dresses also featured floral prints. While floral prints are nothing new, flowers as a gift are a signature romantic gesture, so it was a subtle tilt to the act of flowers on a first date.

Images courtesy of theimpression.com

Beyond his romantic inspiration, there were his dresses fit for his jet-setting clientele, like a zebra print dress that would be perfect for a resort vacation. After-party worthy cocktail dresses rounded out the collection because Anderson couldn’t forget his New York socialite ladies who helped make his brand popular.

In a time of political and economic turmoil, is a little romance necessary? Anderson seems to think so as he took us to a fall and winter season of love. Love lifts us up where we belong, after all.

 

Kristopher Fraser

 

 

A. Potts Fall 2025

Can something wonderful come out of a depressed state? Absolutely, and A. Potts fall 2025 collection is a testament to that.

That said, yes, the fall 2025 collection is dark, and yes, somber. And perhaps this is the result of Aaron Potts reflection on the November presidential election and the explosive nature of our current administration. Still, this collection is another example of Aaron Potts unique ability to take simple silhouettes, silhouettes that are familiar, and remake and present those familiar silhouettes in an innovative way that has not been seen before.

This fall 2025 collection is heavy on black tones with some injection of grey camouflage patterns, grey tones with a minor injection of orange and white. Potts ingeniously references street culture, club culture, and genderless freedom.

Long an advocate of genderless fashion and garments that render freedom of movement, this collection works well for all gender expressions and promotes comfort and ease of movement. Interestingly, there are some references to the club culture of the 1980s, an era that was marked by individuality. (Think the hats worn by the 80s pop group The Thompson Twins.)

Like much of A. Potts design aesthetic, this fall 2025 collection is for a niche consumer, that consumer that wants to take a risk and be noticed. And a niche audience is who Potts wants to appeal to.

Keeping his fashion brand on a manageable level is very important to Aaron Potts. Having worked for larger brands and being exposed to the hustle and frantic work life that comes in big brands, Aaron Potts has decided to keep his fashion brand at a manageable level.

Images courtesy of Agentry PR

This fall 2025 collection stays true to Potts’ intention and provides garments that will continue to appeal to consumers that are attracted to the fusion of streetwear and genderless fashion. And though this collection came out of struggle, this collection proves that struggle can produce genius.

—William S. Gooch

 

 

Evan Hirsch Fall 2025

Evan Hirsch is on his way. Hirsch is quickly transitioning from an emerging fashion designer with great promise to a fashion designer who has something important to say. And his fall 2025 collection demonstrates his growth.

Finding the best way to present his collections and fashion ideas in the best way was front in center in Hirsch’s fall 2025 collection. Inspired by his love of painting and taking art classes at the local art league, this fall 2025 was a combination of Hirsch’s fascination with bold color and a look back on his early creative endeavors.

“I remember how at home I felt when I walked into my first art studio during college,” says Evan Hirsch. “The range of color combinations, some making striking effects via their random color mixes truly inspired me this season. The ultimate expression of color mixing to me is the ombre and this season, I utilized the technique in a majority of my pieces.”

In previous outings Hirsch’s collections contained garments that needed better construction and more appropriate fabric choices that matched the inspiration or concept of the collection. For the most part, these challenges have been addressed and solved. His construction could still come up a level or two; however, his fabric choices did more adequately reflect his inspiration.

In this collection, Hirsch also employed better models. A good model can make even a bad collection appealing. In the past Hirsch’s choice of models did not elevate his collections. From the looks of his fall 2025 collection, this challenge has been solved.

Images courtesy of VERY New York

Hirsch’s transformational garments—one of his signature aesthetics—was front and center in this collection and worked more efficiently in this fall 2025 outing than in previous outings. Accessories in this collection were provided by MiaDonna diamond jewels with custom headpieces from Binata Millinery. 

Keep up the good work, Evan. You are there!!

—William S. Gooch

Idan Cohen Bridal Fall 2025

Idan Cohen loves a sexy bride. And that penchant is oh so obvious in his bridal collections.

Sky-high slits, low decolletage, and form-fitting silhouettes are design aesthetics that Cohen always incorporates in his bridal collections. And his fall 2025 bridal collection is no exception, though Cohen offers bridal consumers a bit more options.

Idan Cohen’s fall 2025 collection is inspired by Antheia, the Greek goddess of gardens, love and marriage. With this inspiration in mind, one would expect the collection to be feminine and overflowing with floral embellishments and elegance, reflecting floral bounty and grace. And in the respect, Cohen did not disappoint.

With that said, Cohen goes a bit further. Remember, his bride is always sexy with a modern touch of sensuality. Cohen establishes the sensual nature of his bridal gowns by using a corset as the base for the mermaid gown which consistently appear throughout his collection. Additionally, in this collection Cohen combined new beading techniques with satin cutouts, metallic threading and pearls, as well as employing 3D crepe embellishments.

For the most part, this collection is not for the demure bride. Then again, Cohen’s bridal collections have never been for the bride who doesn’t want to make a statement during her nuptials. And those nuptials could include up to five garments. Like many bridal designers, Cohen dresses his bride at every jointure of her extended bridal celebration, from bridal party to wedding to reception, if not more!!

It should be noted that being an in-shape, fit bride is almost a requisite for most of Cohen bridal gowns. The sky-high slit and low decolletage is a testament to brides who want to show off what God gave them!!

Images courtesy of Atelier PR

Standout looks in this collection include, but are not limited to, the brand’s strapless short dress reveals geometric lace patterns and exposed boning with a dramatic detachable cape adorned with ostrich feathers, a delicate lace mermaid  gown featuring a side slit and a corseted bodice with side cutouts with sweetheart neckline and off-the-shoulder sleeves adorned with dimensional flowers and beads complemented by an optional short veil, and a mermaid silhouette with a strapless sweetheart neckline adorned in dimensional lace and intricate beadwork.

—William S. Gooch

 

Copyright © 2012-2021 | Fashion Reverie Publications, LLC - All Rights Reserved