Front Row

Lee Petra Grebenau Bridal Spring 2027

April 11, 2026 by admin Leave a Comment

Inspired by the sensual elegance of the Rococo period, the Lee Petra Grebenau spring 2027 collection embraces an intimacy of drama—soft yet richly detailed, expressive yet refined. The Rococo woman, like the Lee Petra Grebenau woman, does not hide behind her garment; she inhabits it, animates it, and gives it life.

And animating the Lee Petra Grebenau bridal garments is key to her success. What stands out most about Lee Petra Grebenau’s spring 2027 bridal collection is that her bridal creations are made to make folks not only take a second look, but a third and fourth look.

As with most bridal collections there is the traditional bridal gowns. (Bridal brands need to keep the sales flowing in and traditional bridal gowns are the cash cows for most bridal brands.) Still, with Lee Petra Grebenau, there are those innovative bridal garments that makes fashion industry professionals hearts beat a little faster.

For the spring 2027 season, Lee Petra Grebenau unveils its bridal and made-to-order couture collections. Each ensemble is a dialogue between vibrancy and softness—a moment in which femininity becomes an expression of pleasure and living art.

Images courtesy of Atelier PR

At the heart of each creation lies the signature sculpted corset, framed by luminous hand embroideries, pearls, and delicate beadwork unfolding across Mikado silk. Every piece emerges as a quiet composition, like a painting brought to life.

—William S. Gooch

NARDOS Bridal Spring 2027

April 10, 2026 by admin Leave a Comment

Enough cannot be said about the NARDOS spring 20227 collection. Iman Nardos always stuns; however, in this outing Iman Nardos expanded her intriguing craft and genius beyond anything that most bridal industry professional have come to expect.

For a decade, NARDOS has transformed fabric into feeling, and craftsmanship into art. This collection honors the hands, the heritage, and the vision behind every gown; where each piece is sculpted with intention, and every bride becomes a living work of art.

In this tenth anniversary of NARDOS Bridal Couture, Iman Nardos manifested her craftsmanship and acuity with the principles of couture. Aside from her incredible spring 2027 bridal collection, Iman Nardos demonstrated her couture skill set by draping fabric on two form models in the style of couture fashion. For those not aware, the word couture means made by hand, and all couture collections have some elements of handmade fashion. By demonstrating her couture genius, Iman Nardos gave fashion industry professionals a direct purview into what it takes to drape a bridal garment. Nardos’ draping was based on a bridal sketch that she exhibited before the draping.

As with all NARDOS bridal collections, a bridal gown is so more than a typical bridal gown. And this spring 2027 bridal collection proves that. This collection proves that a bridal gown can be a total expression of beauty seen through the lens of fantasy and whimsical couture elements. And Rockefeller Center’s Rainbow Room was the perfect venue for this explosion of couture bridal and NARDOS’ tenth anniversary. Especially with Rainbow Room’s rotating floor which allowed fashion industry professionals to experience the collection from every angle.

Images courtesy of Atelier PR

Standouts in this spring 2027 bridal include but is not limited to strapless structure ball gown with blush, ivory, green mosaic florals, romantic, sculptural elegance, sheer long-sleeve pearl mini with sculptural orchid petals, modern couture elegance, hand-beaded shell sequin gown featuring cascading transparent skirt, geometric crystal and pearl cupcake dress with sheer pearl skirt, and light blue hand-painted silk organza gown with a draped sculptural base and overskirt.

—William S. Gooch

Lihi Hod Bridal Spring 2027

April 10, 2026 by admin Leave a Comment

Of all the bridal collections that Fashion Reverie attended during New York Bridal Week (NYBW) spring 2027 season, Lihi Hod was not most innovative and current. This bridal collection will appeal to a wide modern bridal demographic, dressing the bride at every jointure of her nuptials. From rehearsal dinner to the bridal ceremony and bridal reception, Lihi Hod’s spring 2027 bridal collection covers all the bases.

Lihi Hod’s spring 2027 collection is a revelatory journey of self-expression and discovery. The collection translates this vision through a balance of structure and softness. Sculpted ball gowns in silk taffeta, Mikado silk, and satin stand alongside sleek sheaths, ethereal A-lines, and fit-and-flare silhouettes that fall into sweeping trains. Corseted bodices, refined necklines, open backs, floral lace, hand-applied pearls, crystal embellishment, and 3-D appliqués lend the collection its distinctive tension that translates into romantic yet precise, feminine, yet assured bridal garments.

Bridal consumers will immediately notice that spring 2027 collection dresses the bride at every jointure of her nuptial celebration. And for the cool modern bride who wants something different, this is the perfect bridal collection that at times contrast against tradition bridal norms. (The white cargo pants with floral top was genius and would appeal to a lot of young brides opting for comfort and originality.)
Not only does this collection expand the bridal palette in terms of bridal silhouette and modern projection, Lihi Hod also provides the modern bride with garments that can work in a variety of wedding locations. From the traditional cathedral or religious structure to a beach wedding or tropical locale, Lihi Hod’s spring 2027 bridal collection has garments that are appropriate for a range of bridal venues.

Images courtesy of Atelier PR

Standout looks in this collection, include, but are not limited to, a sleek strapless sheath gown in liquid silk satin with a softly draped sweetheart neckline, delicate strapless column gown in sheer nude tulle adorned with cascading 3-D floral appliqués and crystal beading, the captivating long-sleeved gown in allover floral lace with a high illusion neckline and fitted sheer sleeves, and delicate strapless column gown in sheer nude tulle adorned with cascading 3D floral appliqués and crystal beading.

—William S. Gooch

VERDIN Bridal Spring 2027

April 9, 2026 by admin Leave a Comment

There are so many bridal collections during New York Bridal Week (NYBW) that sometimes it can be a challenge to differentiate one bridal collection from the next. Of course, NARDOS, Ese Azenabor, Mira Zwillinger, and Lihi Hod are in a class of their own. Still, there are several collections that look quite similar.

VERDIN sets themselves apart from other bridal brands in two aspects: the beauty of their collections and the craftsmanship. Inspired by the romantic gardens and luminous paintings of Claude Monet, this collection captures the softness and movement of nature in bloom.

Airy layers, delicate floral details, and fluid silhouettes echo the impressionistic beauty of Monet’s flowers and landscapes. Each gown is designed to feel light, romantic, and timeless, like stepping into a living garden at first light.

Though this was a small collection, each bridal garment possesses a certain appeal to a huge range of bridal consumers. Particularly those bridal consumers who are looking for classic elegance in traditional bridal silhouettes.

Images courtesy of Atelier PR

Standout looks in this spring 2027 collection include, but is not limited to, a strapless Duchess silk fit-to-flare with detachable train, fit-to-flare floral lace gown with Duchess silk asymmetrical overskirt, and strapless Duchess silk princess gown with gathered poof overskirt.

—William S. Gooch

Mira Zwillinger Bridal Spring 2027

April 8, 2026 by admin Leave a Comment

In these troubled times, it is good to know that there are some things that can be depended on. Mira Zwillinger is one those bridal brands that continues to deliver beautiful bridal garments for modern consumers.

That said, the only thing constant in life is change. And though things seem chaotic globally, change is afoot. The rise to something new is just around the corner.

Mira Zwillinger is primed and ready for the change. With “The Rise,” Mira and Lihi Zwillinger present the spring 2027 couture collection, inspired by the power of transformation, the moment when something shifts from within and begins to emerge.

And it is evident that Mira Zwillinger will embrace this upcoming change and has incorporated these new perspectives. You can count on that!!

Known for producing beautiful bridal fare season after season, for the brand’s spring 2027 collection, a new approach to lace and floral embellishments appears throughout the collection. Though the bridal silhouettes are traditional, much of the fabrications have a modern look.

Instead of using lace in many of the bridal looks, a typical fabrication for spring collections, Mira Zwillinger chose to incorporate floral embellishments evidenced in hand-printed florals. Many of the hand-printed florals, some in a 3-D form, were layered on the bridal garment, producing the effect of blooming florals.

Images courtesy of Atelier PR

Standout looks include a sculpted bodice with delicate straps with a voluminous skirt where floral motifs had been carved directly into the fabric and filled with lace combined with a matching lace cape, a silk Duchess gown with drop waist with slim shoulder straps, a very sheer lace fit-to-flare gown with lacy peplum combined with sheer lacy sleeves, and a strapless corseted bodice flowed into a richly layered skirt, with floral embroidery rising organically from the hem toward the bodice.

—William S. Gooch

Katherine Tash Bridal Spring 2027

April 8, 2026 by admin Leave a Comment

In an era where bridal presentations often rely on grand runway spectacles, Katherine Tash chose a more intimate and arguably more powerful approach. The Los Angeles-based designer unveiled her spring 2027 Chrysalis Collection during a refined cocktail gathering at Jutta Gallery, hosting a curated group of 150 guests spanning fashion, bridal, and creative industries. The evening marked not just a collection debut, but a meaningful evolution of her eponymous label.

Set within the gallery’s minimalist interior, the presentation emphasized quiet luxury and thoughtful engagement. Guests moved through the space at their own pace, experiencing the garments up close.

Chrysalis reflects a pivotal moment for Katherine Tash Bridal, channeling themes of metamorphosis, ritual, and contemporary femininity. While the designer’s signature sculptural silhouettes and sensual restraint remain intact, this season introduces a more directional, elevated design language. Each gown, meticulously crafted in her California atelier, underscores Tash’s dedication to artistry and deliberate production.

“It felt important to mark this moment with Chrysalis, as the collection represents a truly pivotal point for us,” Tash shared. “This year represents eight years of building the brand with deep intention—growing thoughtfully into the design house we are today.”

A standout element of the evening was the unveiling of a collaborative veil capsule with Ofrenda Studio, founded by Sandra Morales. The trio of designs: Still, Flow, and Rise echo the stages of transformation central to the collection’s narrative. From delicate English net to layered lace and Chantilly lace finishes, each piece extends the emotional language of Chrysalis, offering brides an added dimension of storytelling.

Morales noted the natural synergy between the two brands, “There’s a balance between modernity and timelessness in Katherine’s work that resonates deeply. These veils celebrate change they exist in conversation with the idea of becoming.”

Images courtesy of MVC Communications

The evening itself was seamlessly executed by Chere Rosalie, with elevated touches from partners including Tacori, whose pieces complemented the collection’s refined aesthetic. Culinary and beverage sponsors, oysters and delicious sweets added a layer of indulgence without detracting from the evening’s core focus: craftsmanship and community.

Ultimately, the Chrysalis Collection presentation embodied the essence of Katherine Tash Bridal; intentional design, meaningful collaboration, and a deep connection to the community that continues to shape its evolution. In choosing intimacy over spectacle, Tash proved that transformation, when done with purpose, speaks volumes.

—Tijana Ibrahimovic

Zang Toi Fall 2026

February 15, 2026 by admin Leave a Comment

Since he began showing at New York Fashion Week (NYFW) in 1989, Zang Toi has invited audiences into his larger-than-life fashion fantasies, referencing everyone from Marie Antoinette to Bond Girls. This year, he and his ‘House of Toi jetsetters’ went on a futuristic voyage, embarking to a glittering planet on a glamorous outer-space journey inspired by a supreme SpaceX starship. Dramatic fog clouds rolled across the runway as models emerged with sculptural space-age updos and silver lips, reinforcing the show’s icy, interstellar theme.

Anyone expecting spectacle without substance underestimated Toi. Beneath the theatrics is a designer who understands the needs of women whose calendars are filled with luncheons and fundraising galas. The palette centered on black and silver, punctuated by flashes of electric cobalt. Plush looks from Saga Furs added unapologetic glamour, despite pressure from the Council of Fashion Designers of America (CFDA) to keep fur off official runways. Toi stayed true to his aesthetic, and the show was stronger for it.

Signature ‘Zang-isms’ appeared through a playful, Jetson-era silver mini recalling Judy Jetson, metallic hand-loomed jumpsuits layered under sculpted leather jackets, and cozy cardigan wraps that balanced shine with softness. Pants were sleek and narrow, in both corduroy and lacquered leather.

Images courtesy of Zang Toi

Where Toi truly excelled was eveningwear. His mastery of drape and construction celebrated the female form. Horsehair gave sculptural volume to a black-velvet keyhole dress, while zibeline lent an architectural edge to an oversized cut-away coat. The finale delivered classic Toi drama: first, a black silk gazar cape hand-beaded with a skyscraper motif, followed by a couture bride floating through fog, clad in a sparkling white tulle and silk butterfly festooned wrap. Toi closed the show in a tuxedo beside his bride.

Vivian Kelly

Ese Azenabor Fall 2026

February 15, 2026 by admin Leave a Comment

Ese Azenabor’s fall 2026 ready-to-wear collection was another surefire hit. We are all familiar with Azenabor’s bridal collection. Her bridal collections are a compendium on grace, elegant, luxury and bridal beauty. And with this fall 2026 ready-to-wear Azenabor expands her incredible craft and imagination to her ready-to-wear collection.

Inspired by reimagined romance seen through the lens of fantasy, whimsy, and elegance, Azenabor juxtaposes this reflection against the contrast of strength and softness, whimsy alongside edge, and complex power married with calmness and layered beauty. All these varied points of view do exist in the same fashion petri dish with canceling each aspect or overshadowing points of view.

It takes a lot of craft and genius to combine these disparate elements into a collection that can have a wide appeal to different types of consumers and demographics. In this collection Azenabor demonstrates that she possesses the craft to create garments that have a variety of silhouettes combined in one cohesive garment. Sometimes, this melding of different points of view is overdone, but for the most part Azenabor accomplishes this challenge.

Ese Azenabor uses rose motifs throughout this collection. Imagine a winter rose, beautiful and vibrant in a deep red color. These blooming roses are an integral part of this fall 2026 collection. And showcasing this collection in the stunning 91st Street mansion was the perfect venue to highlight Azenabor’s genius and craft.

Images courtesy of Atelier PR

Though this collection has 43 looks, there were some standouts. The garments that caught Fashion Reverie’s attention most were the long sleeve shorts romper with narrow plunge, halter gown featuring bodice encrusted with red crystals, two-piece set featuring gold strapless asymmetrical corset comprised entirely of rose gold acrylic and crystal-beaded flowers, off-white tailored Mikado mini-dress with corset detailing on front and back with sweetheart neckline, and black strapless Mikado mini dress with large sequin flower for pop color.

—William S. Gooch

Malan Breton Fall 2026

February 15, 2026 by admin Leave a Comment

Malan Breton finally gets it right!! For those who have followed Malan Breton’s career for over a decade, we have patiently waited for Breton’s talent to come to full fruition. There have been moments when Breton almost accomplished this goal; however, he was often sideswiped by construction challenges, bad model selection, or trying too hard to impress audiences with Broadway veterans walking in his shows. (The Broadway veterans and television stars sell themselves, rarely selling the garments.)

And though the potential was always evident, there was always something amiss. This fall 2026 collection was different. Malan Breton, for the most part, realized his potential.

Breton’s “Song of the Winter Siren” draws on the visual language of late 1920s and 1930s glamour and classic film noir, pairing refinement with an undercurrent of tension and consequence. A nocturnal palette anchors the collection, including inkwell black, bone white, champagne gold, garnet, and smoke silver reinforces the cinematic atmosphere, with beauty by Odilis and hair by Vivienne Mackinder leaning into polished, era inspiring glamour.

If there were some drawbacks to this collection, and there were a couple, it would be elements of his menswear. The expanded lapels, resembling sailor lapels, was a big stretch for menswear. And it is yet to be proven if a modern male consumer would purchase these kinds of jackets. Also, at times there were still too many ideas. Again, Breton should take advice from the late great Coco Chanel, “before you leave the house, look in the mirror and take one thing off.”

Images courtesy of Lawlor Media

Still, this was a much more of a cohesive attempt—with well-constructed garments—at making clothing that a wider demographic would want in their wardrobe. Malan Breton is on his way. And perhaps, this culmination in wearable, exciting clothes is the result of maturity and perseverance. Bravo for that!!

—William S. Gooch

Christian Siriano Fall 2026

February 14, 2026 by admin Leave a Comment

The world is arguably falling apart; it feels like the end of times. The economy is in shambles (even though the White House won’t release an accurate jobs report), but on the bright side, for businesses affected by Trump’s tariffs, the Supreme Court overturned most of them. In times like these, escapism and surrealism are needed, and for many, fashion is a form of that.

Christian Siriano has always taken pride in dressing real women of all body types. Inclusivity has been his focus since he started rising to fame as a red-carpet dresser, dressing many curvy and full-figured actresses that other designers often refused to serve. While Siriano has designed for women of all shapes and sizes, Siriano’s true aesthetic has always been about glamour, fantasy, and opulence.

He continued to explore the idea of fantasy for his new collection, inspired by the dreamlike qualities of Salvador Dali’s paintings. While Siriano didn’t fully adopt Cubism, where subjects are broken down and reassembled in abstract forms, he played with proportions and exaggerations, much like Dali’s art.

The show opened with supermodel Coco Rocha wearing what, at first glance, seemed like a minimalist black outerwear ensemble with a corset jacket, but upon closer inspection exaggerated arms, shoulders, and a subtle flare at the top of the trousers. This hinted at the play on proportions to come, including a white feathered coat with oversized lapels, scalloped sleeves, and sculptural statement bodices.

Siriano aimed to blur the lines between reality and fantasy, successfully achieved through his use of fluid drapery and high-gloss textures. Rocha returned to close the show in a satin blue and green ombre gown with a balloon bodice, echoing the luminous contrast of a surrealist landscape.

Images courtesy of vogue.com

The architectural design of the gowns showcased Siriano’s craftsmanship, while the textures and handcrafted beading reflected his view of fashion as art. While Dali was a pioneer in Cubist painting, Siriano is demonstrating himself as a pioneer in modern glamour.

—Kristopher Fraser