How Trump’s Tariff Tirade Could Affect Fashion

The word on everyone’s lips since the U.S. presidential election night of 2024 is tariffs. Right after Donald Trump was declared the winner of the 2024 presidential election, searches for “what is a tariff?” skyrocketed on Google. A tariff is easily defined as a tax imposed by a government on imported goods, often used to protect domestic industries or as a source of revenue.

At this point, it shouldn’t be a secret that we live in a global economy. The phrase “no man is an island” rings no truer than when it comes to global economic policy. Countries borrow money from other countries, and trade has been global for centuries.

Earlier this month, President Trump imposed 25 percent tariffs on imports from Mexico and Canada and duties on Chinese goods, igniting trade wars that could affect America’s economic growth and lead to inflation. Trump’s tariff moves could upend around $2.2 trillion in annual trade. Trump is expected to go forth with more tariffs on April 2.

The Trump Administration recently announced a one-month pause on the original 25 percent tariffs on goods and services covered by the United States Mexico/Canada Agreement (USMCA). The uncertainty of what will happen with the tariffs is delaying critical supply chain decisions until greater clarity on how these tariffs will affect the global fashion industry. China’s foreign affairs ministry took aim at the Trump administration, saying, “If war is what the U.S. wants, be it a tariff war, a trade war or any other type of war, we’re ready to fight till the end.”

Image courtesy of cfda.org

Amid these tariff wars, the fashion industry is looking at how Trump’s tariff moves will affect the industry. As the issue often is with tariffs, the costs that the company has to absorb are passed onto the consumer.

Many designers who buy supplies from China, ranging from fabrics to zippers, could exponentially increase their costs. Fifty yards of certain fabrics, like felt, can cost as little as $18 in China, but in New York, the same amount can go for $80. Trump also said he plans to roll out tariffs on aluminum and steel imports, which could mean the cost of sewing machines could increase.

Over 30 percent of all fashion brands are currently produced in China. Although Trump believes his tariffs will entice companies to begin producing in the U.S., realistically, this is not feasible. The majority of garment workers in the New York and U.S. are migrants. Students come out of top fashion design schools and go on to design positions at brands, so the U.S. doesn’t even have the workforce for these manufacturing jobs.

Only three percent of clothes made today are made in America, meanwhile, America is the largest single country apparel importer in the world, according to the United States International Trade Commission. One in five pieces of clothing is exported to the U.S., and most materials come from either China or Vietnam.

Image courtesy of imageandcommerce.com

China decided to respond to the U.S. tariffs by imposing its own taxes on goods, and it has already had a direct hit on two companies: Calvin Klein and Tommy Hilfiger. PVH, the parent company of the two brands, has been put on China’s unreliable entities list. This could potentially force the brands to close down shops and manufacturing, which could be detrimental to their business given that China is one of the largest fashion consumer markets in the world.

While it is still too early to see the effects of Trump’s tariffs, it is estimated that this tariff war between countries could increase the cost of goods by nearly $1000 per household. While most items affected by Trump’s tariffs include food and materials for electronics, an increase in household spending on essentials could spell trouble for fashion.

Fashion and clothing purchases fall under the category of discretionary spending. With consumers now forced to spend an extra $1000 a month on essentials like food, that leaves less money for shopping.

Trump’s tariffs don’t just stop at Mexico, China, and Canada, he’s been threatening the European Union with tariffs. This could be detrimental to the luxury goods industry, which has already been grappling with a slowdown. Some brands might try to find ways around these tariffs by shifting production. Trade rules currently dictate that a garment’s country of origin is based on where it is sewn (with knitwear it depends on where the panels are knitted.) If a brand’s fabric was cut in China but it was sewn elsewhere, this could help avoid certain tariffs.

Image courtesy of CNN

Bangladesh is one of the biggest apparel manufacturing hubs in the world and has yet to come into the direct fire of President Trump’s tariff tirade. The apparel industry accounts for 85 percent of Bangladesh’s export revenue and 15 percent of its GDP. Companies, from Gap to H&M, all have factories in Bangladesh. Although no brands have made concrete plans yet to move their production in the wake of the tariff, it is a move some brands might consider if these tariffs pose a threat to profits.

A major sore spot for luxury brands is how imposing tariffs could benefit the counterfeit industry. Counterfeiters set arbitrary pricing and can now further undercut authentic brands that might be forced to drive up their prices. Luxury brands, including Louis Vuitton and Chanel, were already under criticism for raising their prices after COVID-19 amid supply chain issues. A further price increase exacerbated by tariffs could make counterfeits even more appealing to consumers who may want a brand’s style but don’t have the capital for four and five-figure bags that could become more costly. If consumers are forced to spend an extra $1000 a month on essentials, counterfeits are about to look even more appealing.

Image courtesy of Cato Institute

The one silver lining some sustainable fashion advocates see with the tariff war is that if fast-fashion prices go up, people might start investing in higher quality, longer lasting garments when it comes to what they buy. They might also turn to thrift stores and shopping secondhand, which are the grandmothers behind a large chunk of the sustainable fashion movement.

One thing that all retailers will be watching is how price hikes will affect consumer demand. If this happens, discounting is about to get extravagantly popular as brands try to find ways to maintain their revenues. Profit margins are in their era of tariff turmoil.

— Kristopher Fraser

 

 

Dippity Don’t Says: March 2025

Image courtesy of tallahasseedemocrat.com

We sit here lamenting that Punxsutawney Phil, the weather predicting groundhog, saw his shadow, meaning six more weeks of winter. While it’s still a little too early and chilly to pack the winter coats, it’s a great time to invest in spring transitional pieces. In addition to a new trench coat to keep you warm, how about you sit down for some piping hot tea. Spring has sprung, and Fashion Month is going in full force with New York, London, and Milan Fashion Week already concluded and Paris is on the horizon. March is one of the biggest seasons in fashion, and with that being said, many big happenings are going on behind the scenes.

This former top fashion editor turned fashion executive has been unable to land a new job or pivot to a new career. After a scandal in Page Six, it looks like he is living off his investor husband’s money. How the mighty have fallen.

Luckily for him, he’s still a fixture in New York’s front rows, but social clout has yet to manifest in what he’ll do next. At least it pays to marry well.

This New York showroom, which claims to be doing well, owes its former landlord over $50,000 in back rent. While the showroom claims to have left the landlord to move on to greener pastures, it was because they were trying to skip out on their rent bill. This showroom will have to pay up, and it might involve court.

Image courtesy of teamly.com

A top New York Fashion Week designer had to cancel his show at the last minute due to sponsors pulling out. While he was poised to go ahead with one of the biggest headlining shows of the season, he was forced to resort to press appointments instead of a grand runway extravaganza. It’s a tough time for young designers trying to navigate a crashing economy and department stores who owe them money.

Speaking of department stores owing people money, this top department store is losing emerging designers left and right due to how long they take to pay vendors. With designers unable to deal with their payment terms, many have had to turn to direct-to-consumer and focus on getting in more independent stores and boutiques to at least try and make up for some of that revenue. It’s so tough right now; even the big dogs in fashion are trying to cut corners and pinch pennies.

Dippity Don’t

Is New York Fashion Week a Bust?

Image courtesy of timessquarechronicles.com

New York Fashion Week (NYFW), as the world now knows it, has been an international fashion week since the ‘90s. Although what is now NYFW was originally known as Press Week, founded by Eleanor Lambert in 1943. Lambert founded Press Week to showcase American designers during World War II when travel to Paris for fashion shows was challenging.

In 1993, the Council of Fashion Designers of America (CFDA), led by Executive Director Fern Mallis and President Stan Herman, created a centralized fashion week known as 7th on Sixth in New York City’s Bryant Park, essentially birthing NYFW as we know it today. The Tents at Bryant Park became synonymous with an entire generation of fashionistas, particularly those of the ‘90s and ‘2000s, who lived through what many considered the golden era of NYFW.

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In the ‘2010s, the Bryant Park era ended, and NYFW moved to Lincoln Center for several years. After several years at Lincoln Center, NYFW was divided between Skylight Clarkson and Skylight Moynihan. Moynihan was eventually lost due to the construction of the Moynihan Station for Amtrak, and soon after, the days of Skylight Clarkson came to an end.

After that, NYFW moved to Spring Studios, where many attendees complained about the difficulty and time consumption of getting up to the studios in the small elevators. When the contract at Spring Studios ended, NYFW moved to the Starrett Lehigh building for one season, as guests complained about how it’s too far on the Westside of Manhattan with very few conveniences nearby.

Now, with no central venue, longtime attendees of NYFW have been left disgruntled, and for those who aren’t new to NYFW, the consensus is the event no longer has the luster it once had. Lack of a central location, perks editors once saw as a thing of the past, and far fewer sponsors are among the many things people have said caused NYFW to pale.

Image courtesy of nyfw.com

Fashion writer Jewel Elizabeth told Fashion Reverie, “They need to bring back Spring Studios. It was perfect for making connections and capturing the energy. Everyone in that building had the same dream of finding success in fashion. Also, you could run downstairs to the Tresemmé Salon and get your hair done, see a designer presentation on the fourth floor, and then go to a runway show on the sixth floor. Even the people you met in the hallway were magical. I made so many friends and connections at Spring Studios.”

Despite Spring Studios being criticized for its elevator accommodation situation, it was surely missed as a central hub. Elizabeth even enjoyed the one season at Starrett Lehigh, saying, “There was Wi-Fi and a food hall.”

Her sentiments on needing to bring back a central location were echoed by longtime fashion columnist Catherine Salfino, who has been attending NYFW for nearly 30 years. “Running around to all points of Manhattan is ridiculous,” she said. “Knowing show locations when we request show invitations would also be nice. Members of the media should have press registration again, along with a PR contact list. All shows showing during NYFW should be on one calendar. Nowadays, I only attend two days of shows because it’s such a drag. There is no glamour, fun, or interest in the industry to create a cohesive event. The industry wants NYFW to be the Super Bowl of fashion, but the NFL would never have such an incohesive mess.”

As it currently stands, there is the CFDA calendar, considered the official calendar by many, and also the IMG calendar, which are both shows affiliated with the producers of NYFW. This can be very confusing for editors, attendees, and those trying to attend as much as possible.

Beyond NYFW attendees, models are feeling the brunt of how NYFW has changed. Those models who have been in the industry for many years think that the past few seasons have seen less body diversity, and the clothes don’t seem as new.

Image courtesy of nyfw.com

Model Dhanu Prathap told Fashion Reverie, “I would have loved to see different body types on the runway. Also, the clothes themselves feel like remixes of things I’ve already seen. The past season of NYFW was underwhelming on many fronts.”

Model Laura Arumugam expanded on that, saying, “[Fashion Week] needs more discussion around sustainable fashion as fashion is one of the world’s largest polluters.” She also added that “there needs to be more inclusion and diversity of models. Beyond just more plus and curve girls, there should be more models of various heights, ages, and ethnic backgrounds.”

Image courtesy of nyfw.com

Some models have also said that the rise in the number of social media influencers is also taking away from the models, who should be the focus on the runway, and inviting influencers just for social media reach is taking away from the exclusivity of NYFW. In addition to the frustrations models are facing, emerging designers are also finding there is a lack of support for fresh talent.

Braedy Luxenburg, a New York-based fashion designer who launched his brand after graduating from Kent State in 2022, has been slowly growing his brand. He had the honor of being featured on CFDA’s online platform, Runway 360, where designers could showcase their new season collections digitally.

Over the past two years, he’s been working on direct-to-consumer sales and finding retailers. However, as a new designer, he hasn’t even attempted to navigate the NYFW landscape, as it is both costly and overwhelming.

Image courtesy of nyfw.com

“There should be better ways that NYFW uplifts emerging designers,” Luxenburg said. “Rather than encouraging people to jump into the never-ending financial burden of participating via fashion shows, there should be other ways to grab attention that [the CFDA] took the lead on.”

Some suggestions that have been made to support emerging designers include giving them their own showcase during NYFW and creating pop-up shops dedicated to emerging brands. Other suggestions have included putting emerging designers on more panels and featuring them on the official fashion calendar.

Image courtesy of nyfw.com

Needless to say, NYFW isn’t what it once was, but all hope isn’t lost. Starting with something as simple as one central location could help create some spark and joy for the event. Hopefully, the CFDA will find a central venue, and invest in more new talent.

Kristopher Fraser

 

New York Fashion Week Fall 2025 Season Recap

The New York Fall (NYFW) fall 2025 season saw an overwhelming sense of nostalgia, fused with a forward projection. Resounding themes across several collections seemed to be a celebration of artistry, childhood, memory, and chiefly, hope. Designers like Thom Browne and Christopher John Rogers harnessed messages of resilience throughout their collections and presentations.

This season saw reunions, returns to the industry, and an overall sense of play. Sandy Liang reached directly into her own childhood after birthing her daughter. Collina Strada joined in on the reflection, heavily referencing the 1990s while staying modern. Individually, the fall collections of 2025 underscored how fashion can bring forward the warmth of the past, but also voice the future, carrying us through tumult with artistry, emotion, and celebration.

Images courtesy of Daniele Oberrauch

Thom Browne

This season, Thom Browne plucked inspiration from birds, and his collection soared. Bridlike references ranged from shape, to color, to motif, stunning displays of craftsmanship and color theory. Set against a backdrop of origami birds, the academia-leaning looks with layered tweeds and plaids sparked reminders to Alfred Hitchcock’s “The Birds.” Instead of a horror reference, Browne hoped to utilize the bird as a symbol of hope in turbulent times for the world, political climate, and fashion industry.

Images courtesy of Filippo Fior

Christopher John Rogers

A celebratory reunion was due to Christopher John Rogers after a two-year hiatus. The clothes reflected this jubilant rejoining. No stranger to color, Rogers’ collection was a magnificent display of unlikely pairings that simply worked. Bordeaux, canary yellow, chartreuse, and teal were among the star colors that made the collection one big party, one big homecoming. Welcome home, Rogers!

Images courtesy of Filippo Fior

Sandy Liang

Playful is the word that comes to mind for Sandy Liang’s debut show since becoming a new mother. The collection was an ode to nostalgia, with ‘90s references to childhood toys and school supplies. Popular among the Gen Z generation, her pieces have the twenty-something consumer in mind, tugging at hazy memories of the decade while incorporating practicality. Color-blocked pastels and smooth, slippery textures harken to an almost Polly Pocket-like aesthetic. Oversized windbreakers and quarter zips act like hand-me downs tossed over girlish floral printed skirts and minis. One skirt featured a trompe l’oeil of accessories likely found in the backpack of any given ‘90s girl: a planner book, an SMS device, two kitschy flower necklaces, and what appears to be a Tamagotchi-esque toy.

Images courtesy of Umberto Fratini

Collina Strada

Collina Strada’s fall collection evokes the undercurrents of pop culture’s resurgence of ‘90s grunge and modern emo pop, brought on by the likes of house and pop music icons of late. Hillary Taymour turned up the texture this season, showing shreds of ribbon, tattered woolen knits, layered laces, and ruffles.

A tee shirt of butterflies feasting on an open orange read “girl dinner,” catering to youthful fashion lovers that are in on Gen Z lingo. An interesting facet of the collection was the other worldly ways in which models’ hair was crimped just so to mimic horns. Bug-eyed glasses sat atop alienlike speckled faces. Forever compelling, Collina Strada keeps fashionphiles fed.

Images courtesy of Daniele Oberrauch

Anna Sui

For her refreshing-as-ever collection, Anna Sui turned to fashion heiresses of yesteryear, Doris Duke, Barbara Hutton, and Peggy Guggenheim. Anna Sui managed to weave these references with part of her legacy, coveted collector’s pieces. The marriage between cheeky magentas and blues against brown textures is a delightful summation of the two aesthetics that align to be completely original. Anna Sui takes aged elements and makes them entirely modern in a way that feels natural.

Images courtesy of Khaite

Khaite

Cult-favorite Khaite had a focused concept this season, taking inspiration chiefly from the late great American filmmaker David Lynch, referencing his films such as “Wild at Heart.” Her collection also stayed true to her customer: The New York City fashion girlie (gender used interchangeably, here).

Leather was the star of the show and for good reason, as Khaite always does the textile well. Glossy leather jackets and gloves set against felty newsboy caps served up a delightful juxtaposition of texture. Always a tailoring triumph, Khaite did her wearer proud this season.

Images courtesy of Umberto Fratini

Tory Burch

The Tory Burch girl is so back, and she is cooler than ever. Just ask her front row of spectators: fashion’s most prolific cool girls and influencers. This collection was an ode to what Burch does best: American sportswear. This particularly iteration featured a twist, which has marked Burch’s recent seasons. In fact, the collection, as a whole, was somewhat of an optical illusion. From afar, a well-tailored, polished, stylish amalgamation of her wearer. Upon closer inspection, curious details become apparent. A sleeve tacked across the chest and on the opposite shoulder mimics a shawl. Cropped jackets with myriads of pockets disguise themselves against a striking solid color. A seemingly tweed coat is surreptitiously freckled by sequins instead of woolen threads. Burch figures out a way to reinvent classics season after season and has fun all the while.

Images courtesy of Fillipo Fior

Bibhu Mohapatra

This past year, Bibhu Mohapatra traveled to India to scatter the ashes of his parents and older brother. With their funeral came unexpected memories of his childhood, and his collection reflected this, particularly his mother’s artwork.

Some looks elaborate in texture and pattern while others are monochrome and pared down. A shearling leather jacket worn over a purple sunburst floor-length gown shined. A black and white spaghetti-strap moment paired with matching red boots and evening gloves felt heroic. Mohapatra found the common ground between catering to his customer and telling his own beautiful story.

—Marley Gifford

The State of Modeling: The Fall 2025 Season

Image courtesy of usatoday.com

It’s that time again, New York Fashion Week (NYFW)! As our Instagram feed populated with videos of the January Paris Couture shows, Fashion Reverie has found some distinct trends taking place in modeling now.

Diversity continues to be on-trend but the difference this season is that we have at long last begun to arrive at a melting pot of what fashion regards as “beautiful.” Rather than the all or nothing trends that have dominated since the COVID-19 pandemic (plus size, transgender and models of color) a good deal of demographics are represented. What also continues is that many top tier jobs, the multi-media ad fashion and beauty campaigns, continue to be awarded to actors and actresses who have legions of fans and followers. That said, these campaigns also serve as predictors of what model trends we will see at the upcoming shows.

To discover more about what to expect at Fashion Week, Fashion Reverie reached out to New York City modeling agents to find out which of their models are most in demand this season and why.

Angelina Harron from Manhattan based EMG Models explained that there would continue to be a more varied assortment of faces to watch this season.  She confirmed, “The push for increased diversity and representation in fashion has been a significant trend for several years now, and it’s anticipated to grow stronger in the upcoming season. More brands are actively seeking models from Indigenous, Indian, and Middle Eastern backgrounds.”

Images courtesy of graziamagazine.com and hypebeast.com

Twins

Angelina noted another development. “Additionally, twins or mother-daughter duos are becoming very trendy! For instance, our twins (the Vogt sisters) are commanding a great deal of interest.” Twins as a vogue in high fashion can be traced to Alessandro Michele’s Milan Fashion Week spring 2023 show for Gucci—his last as creative director there. His decision to cast only twins for his finale show was inspired by having been raised by his mother and her twin sister. Twinsburg was reinforced by the ad campaign shot by Joanna Piotrowska for the summer 2023 collection.  

Images of Alex Long, courtesy of EMG Models

 Androgyny

A look that has seemingly gone mainstream is that of androgyny, which echoes the public’s desire for equality. Popular upper mid-range brands such as COS feature clothing and models that reinforce the trend. ENG’s Angelina Harron reports, “On another note, for fall 2025, designers are looking to cast models who represent an androgynous or surreal aesthetic, moving away from traditional gender binaries in both their appearance and expression. Alex Long exemplifies this perfectly.” At 5’11”, with tiny hips and fitting a size 0, she looks equally well in men’s or women’s fashions and can book more shows than the standard male or female model, as she looks equally well in a Spanish Matador suit as she does in a gown.

Alysia images courtesy of Fenton Model Management

Black Models

Other than a few notable exceptions, such as Yves Saint Laurent in the 1970s, fashion’s powers that be shied away from casting black models in any notable way until the past three years. In fact, many black models worked in Europe rather than New York, because the opportunities there were much better. That has changed and black models while “on trend” are solidly part of the norm today. Models who are garnering attention are very dark skinned, such as Ibrahim, from Fenton Model Management, who has appeared in Donna Karan advertisements.  Similarly, Awar Odhiang (more below) has achieved international success.  She may be the first model of deep color since Alec Wek to do so. Alec is a South Sudanese British model who was instrumental in helping to change fashion’s perception of beauty in the early 2000s.

Image of Ibrahim, Donna Karan Urban Zen ad, courtesy of Donna Karan

Other black models have experienced popularity in part due to their natural hair worn in an Afro, a natural hairstyle from the Seventies that is “new” again. Both Alysia and Taylor, also represented by Fenton wear their hair “natural” and have enjoyed print and runway success. Alysia has editorial work in Harper’s Bazaar in her portfolio, and Taylor most recently appeared at the Global Fashion Collective X NYFW spring 2025 shows.

Awar image courtesy of Glen Luchford

Last year, Awar walked a total of 34 shows during Milan, New York, and Paris fashion weeks combined, including: Gucci, Prada, Fendi, Versace, Chanel, Hermes, Balenciaga, Louis Vuitton, and Isabel Marant. She also made the www.topmodels.com top 50 list and is the face of YSL’s Rive Gauche fragrance and stars in Anthony Vaccarello’s pre-fall 2024 collection for Saint Laurent. Awar’s glamorous accomplishments have transported her worlds away from her birth at an Ethiopian refugee camp.

Images of Sarah Caballero and Mayva Golub courtesy of EMG Models and chanel.com, respectively

Indigenous and Middle Eastern Faces

Chilean model, Sarah Caballero, has been heating up the runways, most recently at the Paris spring 2025 Couture shows. Chileans can trace their origins to the indigenous Mapuche tribe. Sarah is also of Spanish descent which is in line with the rapidly growing Hispanic demographic in the US and their push for representation in the media.

While Mayya Golub has a classic face, she also has features reminiscent of the Kardashians and is representative of the growing Armenian, Slavic and Middle Eastern populations. At 5’11” and size 2, she is perfectly suited to best show off the clothes she models on the runway.

Images courtesy of models.com and Fenton Model Management

Male model, Kirill Kabachenko, represented by Fenton hails from Ukraine. His arresting green eyes and long, lean physique have already landed him commercial work with Converse and has made him a regular on the runways at The Blonds.

Images courtesy of EMG Models

Classic Models

EMG’s Angelina Harron brought up the return of the classic model.  “We mustn’t overlook classic looks, which will also be highly sought after this season, with models like Piper (Barrington) being in high demand.” Piper’s natural blonde girl next door good lucks are reminiscent of Cheryl Tiegs and the thousands of “All-American” blondes who dominated fashion in the 1970s and early ‘80s before the more “exotic” girls such as “the Brazilians” and the Russian models who took over the runways in the late ‘90s and early 2000s.

Images courtesy of Dior Beauty

The standard bearer for this category is actor, Anya Taylor Joy, a White blonde Anglo-Argentinian, who like Kate Moss, was discovered by Storm Model Management founder, Sarah Dukas. Anya was only 17 years old and struck a deal with the agent that any acting work she got would come before modeling work. Fittingly, Anya received a Golden Globe nomination in 2020 for her work as “Emma” (Woodhouse), the principal character in Autumn Wilde’s adaptation of Jane Austen’s 1815 novel.

As for modeling, Anya has been a Dior Ambassador since 2021, and most recently starred in Dior Addict lipstick ads and the House’s holiday 2024 campaign, decked out in a gown from Dior’s spring 2021 Haute Couture collection.

Images or Gwen DeVoe courtesy of Seasoned Models

Mature Models

This may be the last category to finally gain significant representation in fashion. Other than a few appearances by actors on European runways such as Helmut Lang and Martin Margiela, mature models were notably scarce. Silver haired model, Carmen Dell’ Orifice, starred for years in Neiman Marcus ads but she was the exception to the rule.  Then, during the COVID-19 lockdown, many women over 40 decided to stop coloring their hair and to go gray. Recently, we have seen more mature models appearing in fashion and beauty campaigns as consumers voiced their irritation on social media at not being represented.

Vicki Sasso, is the Founder of Seasoned Models, a Manhattan-based modeling agency that features mature models.  “I’ve been in the modeling business for 25 years, but I  opened up my agency because I saw that this category was underserved and that this was the direction to go, after one of my models,  Gwen DeVoe, who is Black, silver haired and  a size 12-14 booked  Batsheva, and then appeared on ABC’s “Nightline” to talk about what it was like to be a mature model.”

Although Gwen is a plus-size model and enormously popular, Vicki is seeing a shift in sizes away from larger women to those who are between 5’9 to 5’11 and slim.  She concludes, “Mature models will always be in demand for clients who want to show beauty in aging.” Like the experienced agent she is, Vicki is also practical. “Mature models as more than just a passing trend are truly a big YES, but like all models, they have to look good to get work.”

—Vivian Kelly

New York Fashion Week Fall 2025 Season Pre-Coverage

Image courtesy of theindependent.com

New York Fashion Week (NYFW) fall 2025 season is only one day away. Despite the ebbs and flows and temporary shutdowns of key elements of our current government, the fashion industry continues to present innovative and thought-provoking collections from fashion designers and brands. This season will be no exception.

If you yearn for the fashion weeks of yore, where it seemed as though stardust was literally sprinkled on the cobblestone streets of New York City, and fashion designers, from emerging to established presented one stunning collection after the next, you will be sorely disappointed with how global fashion weeks have evolved. We are in a different time, and though fashion collections still contain elements of glamour and wonder, the spark and sizzle have been replaced by attainability and normalcy. Aspirational fashion has taken a back seat to technical innovations and accessibility. Still, there are shining moments that can transport you to a place of reverie and reflection.

Fashion Reverie, as always, will be front and center, bringing our audience the fall 2025 collections from NYFW. Stay tuned!!

 ­­­—William S. Gooch

Dippity Don’t Says: February 2025

Image courtesy of psychlive.com

January felt like an entire year, and now we welcome February, and hopefully a brighter outlook for the rest of 2025. We at Fashion Reverie would like to wish our deepest condolences to those affected by the wildfires in Los Angeles, and hope that you all are able to build and come back from this tragedy.

As we gear up for New York Fashion Week over here on the East Coast, the tea kettle is overflowing. From the latest round of designer musical chairs to who is finding themselves in hot water for associating with the current presidential administration, get your teacups. Happy pre-New York Fashion Week.

Image courtesy of nytimes.com

Kim Jones is out at Dior Homme. Dior’s creative director Maria Grazia Chiuri is expected to follow. Jonathan Anderson, the creative director of Loewe, is due to take over the reins at both Dior and Dior Homme. Loewe and Dior are owned by luxury conglomerate, LVMH Moët Hennessy Louis Vuitton. Anderson’s contract is up, and after his success at Loewe, LVMH is looking to have him breathe some life into Dior, which has been struggling.

This fashion brand owned by this prominent reality star is struggling more than anticipated. While this reality star has found success with her makeup line, her clothing is proving a lot harder to get off the ground. The brand has yet to turn a profit, and she’s trying to revamp her marketing to make the brand as profitable as her other endeavors.

Image courtesy of thehollywoodreporter.com

Designers Jack McCollough and Lazaro Hernandez have left Proenza Schouler, the label they founded. With Jonathan Anderson allegedly in position to take over Dior, the duo is expected to take over Loewe. This leaves Proenza Schouler in the wind as they have no immediate designer in place to take over the brand. When asked about their departure, the pair said it was time, and they wanted to “explore other opportunities.” The other opportunity might be formally announced soon.

Image courtesy of nbcnews.com

This prominent luxury brand is catching fire for dressing a member of the current Trump administration. After this person with major ties to Trump was seen in one of their garments, much of the fashion world was in a fury. This prominent fashion editor is also not happy with these designers for dressing anyone with ties to the Trump administration, due to her disdain for Donald Trump and his politics. She’s considering black balling them, and that might not go well for them if editors and stylists stop pulling their clothes.

Kristopher Fraser

 

 

 

Latinos and Hispanics: Fashion’s Next Frontier

Image courtesy of Center for Hispanic Research

January marks the start of the first fashion quarter for many fashion companies/brands, with fashion brands reviewing their books to see where their bottom line landed at the end of 2024. They are also considering new marketing initiatives and how to grow their business for the new year. Brands are examining where their best-performing stores are, what demographics they are doing best with, and what new target demographics they should consider. In addition, large companies are also looking at emerging markets and consumers where they should start making investments.

One topic that needs to be discussed in the fashion industry is marketing to Latino and Hispanic consumers. Hispanic and Latino consumers have emerged as major power players in the fashion market, accounting for 27 percent of consumers according to Media Culture. Beyond just Latinos in the United States, fashion brands are also acknowledging the significance of Latin America as a crucial market for their products.

Image courtesy of fendi.com

In the past decade, brands have looked beyond Europe and North America to find their next cash cows. During the 2010s, China emerged as a crown jewel in the portfolios of many luxury brands. LVMH Moët Hennessy Louis Vuitton, the conglomerate that owns brands including its namesake Louis Vuitton, as well as Dior, Givenchy, and Fendi, made China a primary focus throughout the 2010s. LVMH luxury brands expanded their store fleet there, hosted runway shows for brands, and signed Chinese actors, such as Zhou Xun, as ambassadors.

As China hit economic stagnation, luxury brands looked to the Middle East for growth, particularly the UAE, where customers are known to spend big. South Korea joined the list of fashion power players over the past several years with the rise of luxury Korean consumers and the global popularity of K-pop. K-pop stars from groups like Blackpink and BTS inked deals with major fashion houses ranging from Tiffany & Co. to Dior.

India is also emerging as a luxury power player, with their luxury market growing at a compound rate of 10 percent year. An expanding middle class is driving growth, and with a country of over 1 billion people, that creates a sizable consumer base.

Image courtesy of luxonomy.com

With much of Asia and the Middle East with large fashion consumer markets tapped, fashion has begun looking to Latin America as its next target. Spanish brand Silbon recently made its foray into Latin America, starting with Mexico. The brand opened its first retail store at the El Palacio de Hierro department store in Polanco, Mexico City, for its men’s collection. In a statement, the brand said that part of their reason for starting in Mexico was the high market demand.

Although Siblon is an accessible-priced brand, the mass market brands aren’t the only ones looking at Mexico for business growth. Fendi and Dolce & Gabbana have opened stores in Mexico, and Dior held its 2024 cruise show there, signaling the growing importance of Mexico to the luxury fashion market. It’s important to note that Mexico is the second largest economy in Latin America after Brazil. While Hispanic and Latino consumers make up 27 percent of the overall luxury consumer market, within the U.S. alone they are even more likely to consume luxury goods. Among luxury consumers, a report by Media Culture found that on average luxury consumers are 72 percent more likely to be Black, 54 percent more likely to be Asian, and 37 percent more likely to be Hispanic.

Image courtesy of luxedigital.com

Beyond luxury and mass-market apparel brands, athleisure brands are realizing the importance of the Latin American market, too. In November, Alo Yoga announced they would open their first store in the region at JK Iguatemi in São Paulo, Brazil.

Brazil is considered by many in fashion and retail as the gateway to fashion in the Latin American market. With cities, including Rio de Janeiro and São Paulo, seeing high numbers of tourists yearly, many premium shoppers travel to Brazil.

The overall luxury market has grown in Brazil in recent years, with a valuation of $74 billion in 2022. By 2030, it is expected to grow to 133 billion dollars, meaning growth will be rapid. Brazil has a robust, young, and fashion-conscious population, making it a ripe target for luxury brands. The country also sees incremental periods of high economic growth, further boosting its place on the world stage.

Image courtesy of tripadvisor.com

Brazil’s JK Iguatemi has become a major retail space for other brands ranging from Tiffany & Co. to Balenciaga. In the first quarter of 2024, Iguatemi S/A’s total sales reached R$ 4.3 billion, a +10.3% increase compared to the first quarter as reported by fashionnetwork.com.

Hispanics and Latinos are also one of the fastest-growing demographics in the United States. The Selig Center for Economic Growth projects that Hispanic buying power will increase by 32 percent from 2021 to 2026. Hispanics are also expected to account for 34 percent of growth in apparel spending in the next five years.

Hispanic Americans are also poised to become major trend drivers in the U.S. A study by Civic Science found they’re twice as likely to value style/trendiness than non-Hispanic consumers. In terms of marketing to Hispanic consumers, fashion brands will need to continue investing heavily in social media. Social media is the winner for where Hispanic Americans find fashion inspiration, with twenty-four percent of consumers saying they get their inspiration from social media platforms, eight points higher than the average non-Hispanic consumer surveyed for Civic Science’s study.

Image courtesy of shoppintrip.com

Despite criticism of fast fashion and sustainability, the clothing category is one of the most popular among Hispanic Americans, with 66 percent purchasing from brands including H&M, Shein, and Forever 21.

As one of the fastest-growing demographics in the United States and with increasing purchasing power, Hispanics and Latinos will become a major part of the marketing conversation in fashion over the next several years. It’s time for brands to invest accordingly.

 ­­­—Kristopher Fraser

 

Fashion’s Top 12 Moments of 2024

 

Now that we are almost through the month of January, it is time we reflect on 2024, a year of bold, boundary-pushing moments in fashion. From icons like Pamela Anderson going barefaced for big-name fashion campaigns to the reinvention of fashion spectacles like the Victoria’s Secret Fashion Show, the year has been unforgettable. Both music and film deeply influenced the zeitgeist of the year, from “Brat Summer” and “Cowboy Carter” to the fashionable media frenzy that was the “Wicked” press tour. 2024 was a year of celebrating reinvention. Here are the top 12 moments that made 2024 impossible to forget.

Image courtesy of hypebeast.com

 In January, Pamela Anderson was the [bare] face of Proenza Schouler’s spring 2024 campaign after making waves at Paris Fashion Week for going makeup-free. “At fashion week, I did that for myself,” Anderson told Allure in an interview. “It wasn’t to make a political statement, I just wanted to have my little weird face sticking out of the top of those great clothes.” The Schouler campaign saw Anderson in smart suiting, crisp whites, and a dress in that iconic “Baywatch” red.

Image courtesy of npr.com

Scan the “Grammy” nominees this year and you’ll note how big a year it was for women in the music industry, with album releases from main players like Taylor Swift, Billie Eilish, Charli XCX, and more. Each album brought with it its own unique aesthetic, and a sure standout was Beyonce’s “Cowboy Carter,” without a doubt. Harkening to the origins of cowboy culture, Beyonce’s nouveau western aesthetic will remain one to remember.

Images courtesy of glamour.com

Zendaya and her stylist Law Roach have become quite the dynamic duo over the years, dominating the red carpet with countless iconic looks. This year was no exception on the “Challengers” press tour. The pair turned out looks in custom LOEWE, Thom Browne, vintage Louis Vuitton by Marc Jacobs, and more, each look seemingly topping the last and evoking the sport of tennis in the chicest of ways.

Image courtesy of cnn.com

The WNBA’s Caitlin Clark made quite the splash this past year as the only player since 2003 to have 40 points and 10 assists in an NCAA Women’s Tournament game—twice, among other achievements. Her unmatched talent caught the attention of Prada, who dressed Clark in a $​​16,875 ensemble for the WNBA Draft, for which she was the number one pick. Point for the fashion industry. Yay, sports!

Image courtesy of vogue.com

The Met Gala is fashion’s biggest night for a reason, and it would be foolish to exclude it from this list. The theme was “Sleeping Beauties: Reawakening Fashion,” and fashion’s most prolific figures didn’t shy away from showing out. Emerging recording artist Tyla wore an hourglass shaped, sand covered dress and had to be carried up the Met steps. Lana Del Rey donned a headpiece that stunningly evoked both antlers and tree branches. Michael Shannon brought along the most unusual accessory: a Balenciaga bag of chips!

Image courtesy of harpersbazaar.com

In June, “Naomi: In Fashion,” an exhibit in London’s Victoria and Albert Museum, opened to honor supermodel Naomi Campbell. The exhibit featured numerous of Campbell’s glamorous looks, photographs, and a replica of her dressing room. This made Campbell the first fashion model to have an eponymous exhibition.

Image courtesy of vogue.com

Prior to the Olympics opening ceremony, Vogue hosted a star-studded soiree at Fondation Louis Vuitton. Co-hosted by Anna Wintour, Pharrell Williams, Bernard Arnault, and Brian Roberts, the party featured an Olympic-themed theme park, and guests enjoyed elegant cuisine provided by Michelin-starred chef Jean Imbert.

Images courtesy of wwd.com

Due to the release of Charli XCX’s album, “Brat,” summer 2024 will forever be remembered as “Brat Girl Summer,” characterized by lime green and a universal yet niche pop-goth essence. The album’s aesthetic garnered a cult-like following, leaving lovers of the trend to know exactly what is meant by, “That is so brat.”

Image courtesy of bof.com

Ralph Lauren kicked off New York Fashion Week in September by bringing his Americana charm to the Hamptons. “It is more than a place,” Lauren said, in the official press release. “It has been home, my refuge and always an inspiration.”

Image courtesy of cnn.com

After a seven-year hiatus, the Victoria’s Secret Fashion Show returned to the runway at the Duggal Greenhouse in Brooklyn, New York. The show was a loud celebration of inclusivity, with transgender models Alex Consani and Valentina Sampaio on the runway, models with disabilities, and models of all shapes and sizes. Lisa, Tyla, Cher, and Orianthi were featured performers.

Image courtesy of harpersbazaar.com

A 2024 recap would be incomplete without the mention of the “Wicked” film’s release; the Broadway adaptation that took the mainstream by storm. With its release came an undeniably fashionable press tour. Ariana Grande and Cynthia Erivo were a markedly pink and green duo, neither skimping on the drama. Designers included MUGLER, Schiaparelli, Atelier Versace, and Vivienne Westwood, to name a few.

Image courtesy of newyorktimes.com

This year saw a changing of the guard, with many newly appointed creative directors at the biggest houses and brand names in fashion. Among them was the appointment of visionary Matthieu Blazy at Chanel. Blazy was formerly, and famously, at the helm of Bottega Veneta. He replaced Chanel’s former creative director, Virginie Viard.

—Marley Gifford

Gone But Not Forgotten: Fashion Luminaries Who Transitioned in 2024

The fashion industry thrives on innovation, creativity, and the remarkable individuals who bring those visions to life. Each year, we celebrate new collections, groundbreaking designs, and transformative ideas that shape the world of style. But 2024 has also been marked by the loss of several influential figures who have left an indelible mark on the industry.

This year, the world of fashion mourns visionaries who redefined aesthetics, built lasting empires, and made space for new voices. From the pioneers who blazed trails decades ago to contemporary forces who shaped today’s trends, these individuals embodied the spirit of artistry and resilience. Each brought a unique perspective, from crafting couture to championing inclusivity, leaving behind not just memories but lasting contributions to fashion’s ever-evolving narrative.

In this memorial roundup, Fashon Reverie reflects on the remarkable individuals who passed away in 2024. Their lives and work remind us of the profound impact that dedication, talent, and passion can have.

Image courtesy of latimes.com

Iris Apfel
A textile expert, interior designer, and fashion celebrity known for her eccentric style, Iris Apfel passed away on March 1, 2024, at 102. Her bold fashion choices and larger-than-life personality made her a beloved figure in the fashion world, inspiring countless individuals to embrace personal expression and individuality.

Image courtesy of wikipedia.org

Isak Andic
Founder of the Spanish fashion brand Mango, Isak Andic tragically passed away in December of 2024, at 71. His vision and dedication transformed Mango from a single store in Barcelona into a global fashion powerhouse with 2,700 stores across 120 markets. Andic’s commitment to accessible yet stylish fashion resonated with millions worldwide.

Image courtesy of yahoo.com

Mary McFadden

When one thinks of Mary McFadden you can imagine her black-bobbed hair, her signature big jewelry and pleated gowns. Most of us know McFadden as a fashion designer, but she was so much more than that. McFadden was former president of the Council of Fashion Designers (CFDA), and a one-time editor at Vogue.

When it comes to her fashion brand, McFadden’s garments were defined by her pleated dresses that draped like ‘liquid gold.’ The dresses were made from Marii, a synthetic charmeuse patented by McFadden in 1975 that was made in Australia, dyed in Japan, and then machine-pressed in the United States. These dresses were worn by American socialites in the 1970s. Mary McFadden died on September 13.

Image courtesy of web.de

Roberto Cavalli

A golden name in Italian fashion, Roberto Cavalli opened his boutique Limbo in Saint Tropez in 1970 with Brigitte Bardot becoming in early client. Cavalli took his collection to Paris in the fall of 1970, launching is women’s wear line in 1972 in Florence, Italy. 

Cavalli had a breakthrough in his career in 1993 when he elasticized denim for a second-skin fit. “I was in America when Roberto was at the top of his career,” Fausto Puglisi, the creative director of the house tells Vogue Runway. “It was the “Sex and the City” time, it was all about Cavalli, Cavalli, Cavalli.”

“Roberto was a lion, his life was larger than life” former Cavalli creative director Peter Dundas says. “He definitely wrote a beautiful chapter in fashion; Cavalli was the epitome of the bold, the beautiful, the print—freedom.”

Image courtesy of usweekly.com

Claude Montana

Padded big shoulders, a leather/bondage aesthetic, and big attachment to bold colors describes Claude Montana’s design DNA. Interestingly, early in his career Montana shared an apartment with Thierry Mugler, later they would become fierce rivals with similar design aesthetics.

Montana launched his ready-to-wear business in 1979. In June of 1979, Vogue reviewed his collection, declaring the collection the “most-talked-about look in Paris—for the shape, the shoulders. The surprise: This look is done without heavy padding, without stiffness, it’s all in the fabric … the design.”

As quickly as Claude Montana achieved success, his fall to obscurity was almost as quick. After being named as creative director of Lanvin in 1989, his contract with Lanvin ended in 1992 with his eponymous brand declaring bankruptcy in 1997.

Image courtesy of Getty Images

Rosita Missoni
The matriarch of the Missoni brand, Rosita Missoni, passed away on January 1, 2025. She transformed her family’s small knitwear business into a global fashion powerhouse. Known for her bold use of color and signature zigzag patterns, Rosita’s creative vision and business acumen left an indelible mark on the world of luxury fashion.

Image courtesy of the CFDA on Instagram

Richard Renda
As a behind-the-scenes force in the fashion industry, Richard Renda passed away in September of 2024. He was known for his editorial prowess and keen eye for emerging talent as a stylist. As a runway photographer who controlled the risers during NYFW, who can forget Renda’s voice asking front-row attendees to “uncross their legs.” His dedication to showcasing avant-garde designs and fostering new voices made him a beloved figure in the creative community.

Image courtesy of nytimes.com

Bruce Nordstrom
A retail visionary, Bruce Nordstrom passed away on May 18, 2024, at the age of 90. He led the transformation of his family’s department shoe store into one of America’s most revered luxury retailers. His focus on customer service and commitment to showcasing emerging designers helped shape the modern retail experience. Nordstrom’s pioneering spirit in blending in-store and online shopping continues to influence retail strategies today.

Image courtesy of nytimes.com

Renaud White
One of the first prominent Black male models, Renaud White passed away on June 26, 2024. White broke barriers in the 1970s and 1980s, appearing on major runways and in iconic advertisements that paved the way for greater diversity in fashion.

Renaud White was the first black model to grace the cover of GQ. His contributions to redefining beauty standards remain influential today.

Image courtesy of wmagazine.com

Polly Mellen
A legendary stylist and editor, Polly Mellen passed away on December 12, 2024, leaving behind an unparalleled legacy in fashion journalism. With decades-long tenures at Harper’s Bazaar and Vogue, Mellen shaped iconic photoshoots and mentored countless talents in the industry. Her creative vision and editorial genius set the standard for modern fashion imagery.

—Ryan Salfino

 

 

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