Malan Breton Fall 2026

Malan Breton finally gets it right!! For those who have followed Malan Breton’s career for over a decade, we have patiently waited for Breton’s talent to come to full fruition. There have been moments when Breton almost accomplished this goal; however, he was often sideswiped by construction challenges, bad model selection, or trying too hard to impress audiences with Broadway veterans walking in his shows. (The Broadway veterans and television stars sell themselves, rarely selling the garments.)

And though the potential was always evident, there was always something amiss. This fall 2026 collection was different. Malan Breton, for the most part, realized his potential.

Breton’s “Song of the Winter Siren” draws on the visual language of late 1920s and 1930s glamour and classic film noir, pairing refinement with an undercurrent of tension and consequence. A nocturnal palette anchors the collection, including inkwell black, bone white, champagne gold, garnet, and smoke silver reinforces the cinematic atmosphere, with beauty by Odilis and hair by Vivienne Mackinder leaning into polished, era inspiring glamour.

If there were some drawbacks to this collection, and there were a couple, it would be elements of his menswear. The expanded lapels, resembling sailor lapels, was a big stretch for menswear. And it is yet to be proven if a modern male consumer would purchase these kinds of jackets. Also, at times there were still too many ideas. Again, Breton should take advice from the late great Coco Chanel, before you leave the house, look in the mirror and take one thing off.”

Images courtesy of Lawlor Media

Still, this was a much more of a cohesive attempt—with well-constructed garments—at making clothing that a wider demographic would want in their wardrobe. Malan Breton is on his way. And perhaps, this culmination in wearable, exciting clothes is the result of maturity and perseverance. Bravo for that!!

—William S. Gooch

 

Romeo Hunte Fall 2026

The Romeo Hunte brand has turned into one of the industries’ most coveted invites and fashion insiders were clamoring to see Hunte’s fall 2026 collection! Held in the fabulous venue that is Gotham Hall the lines were around the block and to be continued for entry. Thankfully, Fashion Reverie was on the list, and we went right in.

This season’s collection, entitled “NOIR VIGILANTE,” featured runway pieces steeped in precision tailoring and controlled disruption. Rooted in American heritage dressing, the collection sharpened familiar forms; trench coats, denim, button-down shirts, and eveningwear into sculptural silhouettes defined by proportion and structure. Tuxedo elements were integrated into daywear. Stone-washed denim was engineered with cinched waists and architectural shaping. Classic tailoring was recalibrated for a sharper, more deliberate expression.

There were several, wonderful standout pieces in the collection such as the blue polka dot suit and the tiered polka dot skirt; however, Hunte’s outerwear has always been his main attraction and still is. The outerwear (for the people in the back) was tres magnifique, and remains Hunte’s signature designed elements. The crowd literally gasped when the trench coats hit the runway and when I say trench coats, I mean crocodile-textured technical coats, structured denim trenches, and saturated trench silhouettes in green, yellow, and deep burgundy that has all of us adding these coats to our Pinterest boards. And will hopefully be added to consumer’s fall/winter wardrobes.

Images courtesy of Romeo Hunte

The collection reflects the maturation of the brand: heritage informed, technically assured and architecturally precise. We see the elevation and applaud this new American heritage brand. Keep doing Romeo what you are doing. It is working!!

Renessta Olds

 

 

AKNVAS Fall 2026

Inspired by The Snow Queen by Hans Christian Andersen, the fall 2026 collection translates the fairy tale into a modern narrative of journey, power, and transformation. The collection moves through emotional and visual landscapes, unfolding a tale of spectacles across three acts.

The first act opens in an ice palace, still, ceremonial, and untouched by warmth. Its world is one of restraint and quiet beauty, where movements and designs are measured and elegance feels distant. Like a snow ballerina, the figure within drifts through frozen halls, calm and composed, portraying grace without mellowness.

For Act 2, a traveler moves through the palace, shaped by its cold order and silent rituals. Pale shades shimmer like frost in morning light, and everything feels held, controlled, and suspended. The glamour isn’t loud in the designs but blaring in confidence and poise. And with all AKNVAS collections there is a strong focus on denim, styled and designed in unique and innovative ways.

In the final act, emotion breaks the surface, showing a combustion of unique silhouettes. Teardrops take form, becoming vessels of feeling and creation. In the fairy tale that inspires this moment, tears are born from frustration and sorrow, yet they carry warmth within them sewn into the garments. As they fall, they soften the frozen world, transforming restraint into tenderness, and cold beauty into love.

Images courtesy of AKNVAS

With the runway as the canvas and the collection as the brush, a masterclass of style has graced New York Fashion Week thanks to designer and founder, Christian Juul Nielsen. The collection achieves poetic elegance with a focus on drape, flattering silhouettes, innovative knits and an elevated color palette.

—Lauren Pierre-Louis

Elena Velez Fall 2026

When I first began my career in the fashion, I attended a lot of fashion shows like Elena Velez’s fall 2026 collection. Although those shows in the distant past were enjoyable, I had not experienced a lot of runway shows or fashion collections, so my knowledge was quite limited.

Now that have more experienced and witnessed the good, the bad, and the very unfortunate fashion collections I must say that fashion shows that attended in the past wish that they had Velez’s skill, craftmanship, whimsy, and projection. Few of those early fashion brands I experienced in the past understood how to make Punk-influenced garments appealing to a larger audience. However, that was a different time.

In her fall 2026 collection, Velez attempted to incorporate standard Punk elements of the late 1970s and early 1980s. Elements in question include deconstructed garments, unfinished hems and flayed edges, bustiers, and distressed leather.

Velez has taken a political stance in previous collection and this fall 2026 collection does have a political and cultural point of view. Velez drew inspiration from the social media trend of lookmaxxing.  For those out of the loop, lookmaxxing is a desire for beauty and to master beauty by cosmetic means, if necessary. You can see this trend solidly in place on the filter-driving obsessions on TikTok and Instagram.

Though this collection is Punk inspired, there are some modern touches that makes these garments more appealing to modern consumers, especially the party ‘It’ ladies who use clothes to project their rebel personality.  Remember, these party girls don’t dress seductively to attract partners, they let it all ‘hang out,’ so to speak because they want to. And Velez is appealing to that demographic, evidenced in the huge fan crowd that attended this show.

Images courtesy of vogue.com

Standout looks in this fall 2026 collection include the brown pinstriped jacket with brown and white layered skirt, white tee shirt with black-layered skirt, ruched black strapless dress with high slit, and men’s white shirt with large cuffs and black oversized slacks.

William S. Gooch

 

LANDEROS Fall 2026

For those not familiar with LANDEROS, this is a brand that combines the two elements needed for success in the fashion industry, now and next. As the great fashion publicist Diana Vreeland proclaimed, “fashion should be now and next.” And LANDEROS’ creative director Andre Landeros Michel does just that!!

Fashion Reverie became familiar with this brand at New York Men’s Day a few years ago. And though we were impressed by LANDEROS’ presentation at New York Men’s Day, this current outing demonstrates how much the design aesthetic of the brand has grown, but also the craft that Andre Landeros Michel has injected into this fall 2026 collection.

This ‘Heretics’ collection, though dark and haunting, exhibits Michel adept skill, particularly with the traditional suit. Suits in this collection are embellished with boxy shoulders and statement sleeves, as well as belts that cinched in waist. These suits also highlighted the feminine form by being manipulated to show off hourglass figures.

Andre Landeros Michel also played with masculine and feminine silhouettes evidenced in the traditional suits. These suits, though not unisex, could be wore successfully by both male and female consumers. Additionally, Andre Landeros Michel’s use of sheer and diaphanous fabrics brought that extra next to this fall 2026 collection. Sensuous and bold, these sheer fabric touches never pushed the collection into the salacious realm.

In this outing Michel chose a rich color palette of black, blue, and gold with touches of animal print, were the focus of this season. Michel also selected the right models for this collection and aptly showed off the garments with style and panache.

Images courtesy of vraimagazine.com and ouch!magazine.com

Hopefully, Andre Landeros Michel will stay the course and stay on track in the fashion industry because he has something very important to say. The fashion industry needs you!!

—William S. Gooch

Ralph Lauren Spring 2026

If there is one designer who knows how to read American culture and turn it into a classic, sophisticated collection, it would be Ralph Lauren. As models drifted down the stairs of a Madison Avenue townhouse, you could hear a pin drop. The collection was soft, a touch bohemian, and deliciously feminine. Viewing the clothes, you felt as if you were walking in on a close friend getting ready for an event at her beach house. Coastal elements played into the collection from the second look onwards. Stripes, shell motifs, large, oversized hats, and lightweight white linens flowed as evidenced as the models down the runway.

The entire collection focused on prioritizing effortlessness. As if each garment had simply been flung on the model and happened to look this good. The soft lines and light neutrals helped with this. It was obvious that Ralph Lauren’s spring 2026 collection was leaning into the minimal look that has been growing so popular lately, but it wasn’t boring or beige. The sharp red dresses punctuated the quiet collection with a bang, much like your friend who drinks a few too many glasses of rosé at a beach party.

Images courtesy of tom+lorenzo.com

As for the accessories? It would be neglectful not to mention the sweeping, oversized sun hats once more. But the items that cemented Ralph Lauren has clearly been paying attention to the world’s need for a luxurious, sun-kissed vacation were the bamboo-handled tote bags, simple espadrille-styled shoes, and chunky, statement necklaces. We may have just finished Euro summer, but this collection will be what all the ‘it’ girls are wearing in Capri next summer.

—Sydney Yeager

 

 

L’Enchanteur Spring 2026

For spring 2026, L’Enchanteur transforms the runway into an aquatic journey, where sound, literature, and myth become one. The show draws on Drexciya’s Afrofuturist mythology of resilience, Alice Coltrane’s celestial jazz, and Leontyne Price’s operatic force to create an atmosphere that channels sound as spirit.

Grounded in texts like 20,000 Leagues Under the Sea and Paul Gilroy’s The Black Atlantic, the presentation reflects on the ocean as a connective force across diasporas, honoring humanity’s ability to imagine new worlds and their eternal bond to the cosmic womb from which all life emerges.

The brand explored fabrics that heighten the body’s energetic fields through megahertz frequencies. Color palettes draw from the deep sea, channeling the iridescence and mystery of oceanic life. Textiles range from floral lace and handwoven fabrics to textured leathers.

This season marks the introduction of L’Enchanteur footwear, expanding their design language into new silhouettes. ETA emblems appear across leather loafers, sandals, and flip-flops manufactured in Lagos, Nigeria. Fabrics and textiles sourced from Dominica tie together their paternal and maternal roots, a foundation embedded in their design approach and apparatus.

Images courtesy of Sandrine Charles PR

L’Enchanteur also focused on perfecting their unique firefly clasp closures for their signature ETA vests and wide shorts, as well as distinctive design elements like the sailor-styled pants in multiple patterns and silhouettes, highlighting their unique approach to design, form, and shape.

Lauren Pierre-Louis

Evan Hirsch Spring 2026

Presented at the historic 3 West Club, Evan Hirsch’s Found Opulence: Thrifted Beginnings, Couture Endings unveiled 29 one-of-a-kind looks, each meticulously transformed from garments sourced through ShopGoodwill.com and Goodwill’s brick-and-mortar stores. Sitting in the audience, Fashion Reverie watched as thrifted beginnings were elevated into runway-ready couture, each look shimmering with Hirsch’s signature artistry.

The partnership’s roots are as imaginative as Hirsch’s designs. What began as a quiet experiment, Hirsch hand-beading a red Goodwill dress and returning it to the rack went viral when the six-dollar “couture” piece, caught widespread online attention. That story reached PEOPLE magazine and eventually ShopGoodwill.com, setting the stage for this groundbreaking collaboration.

“My inspiration was what I call Found Opulence: Thrifted Beginnings, Couture Endings,” Hirsch told the audience. “These garments were once overlooked, but with care and imagination, they became extraordinary.” His words rang true as the collection unfolded, blending glamour with sustainability.

The show opened with a cream and gold lace surplice pantsuit, a statement of transformation that set the tone. A parade of gowns followed: a cream and blue evening gown, a midnight sequin dress with floral brooch detail, a gold strapless gown with sash, and a burnt orange one-shoulder piece adorned with floral appliqué. Hirsch’s famed transforming creations drew gasps most memorably, a gold poncho unveiling a pink sequin mini dress and a puff-sleeve wedding gown that blossomed into a brooch-encrusted finale.

The collection struck a balance between romance and edge. Highlights included a silver gown with an embroidered organza cape, a black satin corset dress with ostrich appliqué, a sequined bustier gown with layered skirt, and a sharply tailored black suit reimagined with embroidered mesh overlay. Each look reaffirmed Hirsch’s philosophy that fashion’s most dazzling expressions can spring from humble, thrifted origins.

Images courtesy of John Pankratz

Following the show, Hirsch announced that 15 of the designs will be auctioned exclusively on ShopGoodwill.com, allowing fashion enthusiasts to own runway pieces while supporting Goodwill’s workforce development programs nationwide.

Reflecting on the evening, Hirsch shared: “This show was the most intricate production I have put on to date. I really wanted the event to reflect the grand transformations of the Goodwill pieces by giving each look a spotlight in the ornate Grand Ballroom. When I finally saw all 29 looks together in succession on the runway, I truly felt like my up-cycling dream had come true.”

Tijana Ibrahimovic

Malan Breton Spring 2026

With Malan Breton you can always expect show. And that is what he delivered for his spring 2026 collection. Still, after two decades of presenting collections during New York Fashion Week (NYFW) you would assume that Breton would understand that less is more.

In this spring 2026 collection, Malan Breton did not get the memo. Though there were some stunning garments in this collection, at times there were too many ideas, some which conflicted with Malan Breton’s inspiration. Malan Breton should have remembered what the great Coco Chanel once said, “Before you leave the house, look in the mirror and take one thing off.” In this case, Breton should have taken several things off.

That said, Malan Breton was inspired by time in four acts: Act 1, The Heart; Act 2, Time; Act 3, Transformation, and Act 4, Legacy.  In his program notes Breton exclaims, “Time is the most precious gift, threading life, machine, and humanity together, in a fleeting dance of creation and process. When honored, it reminds us that every moment fuels existence, innovation, and connection. In ways no machine can replicate.”

Through this spring 2026 collection Breton employed 1920s and 1970s themes. There were several beaded flapper-like cocktails dresses that make any woman shine and sparkle, as well as some sparkly sequined and beaded gowns that would complement any red-carpet appearance. Additionally, the sequined ladies’ pantsuits made a quite a statement.

When it comes to Malan Breton’s 70s-inspired men’s suiting there was quite a bit left to be desired. The flared pants were way too flared which threw off the portions of the suits. And some of the boxy shoulders of the suit jackets looked a bit odd with tailoring that could have been more precise.

The addition of former Broadway stars from the original production of “A Chorus Line,” namely Priscilla Lopez, Donna McKechnie, and Baayork Lee was and interesting cast choice. However, most of the audience members had no idea who these Broadway icons were—remember the original “A Chorus Line” is from the mid-1970s. Also, their addition added a kitschy in-your-face quality that Malan Breton should leave behind.

Images courtesy of Lawlor Media Group

Still, as with all Malan Breton’s fashion shows, there was a lot of glitz, glam, and panache. If only he would make his clothes the center of the collection. Bravo to Sandi Bass for great casting of the other models in the show.

—William S. Gooch

 

 

Public Serv-ce Spring 2026

Streetwear fashion is a legitimate part of the fashion lexicon. What was once seen as a passing trend has now become a focus in style and projection for many fashion designers/brands.

Public Serv-ce is one such fashion brand. Founded in 2022 by Raphael Young, Public Serv-ce emphasizes bold wardrobe essentials where foundational basics reign supreme.

In this debut collection at New York Fashion Week (NYFW) Young choose to stick mostly with a neutral palette. This decision worked well for some silhouettes; however, as an overall approach the neutral palette the collection, at times, appears as a more of same streetwear collection with very little pop and interest.

What can be said about this collection is that the garments are well constructed with good styling. And it is quite obvious that Young aims to merge hip-hop culture with refined tailoring. Young does just that; unfortunately, what is missing from this lofty effort is a projection toward the future. As the great fashion editor Diana Vreeland distilled, “fashion should be now and next.” The Public Serv-ce spring 2026 is absent of the all-important next.

Images courtesy of vraimagazine.com

Without the next, we’ve seen these looks before. Maybe not as well constructed, but all seen before!!

That said, this NYFW debut is a very good start. If Young turns the volume up, adds some bold color while staying true to his design aesthetic, this brand could gain some serious traction.

William S. Gooch

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