Pamella Roland Spring 2026

Pamella Roland’s designer, Pamella DeVos, is best known for her opulent ball gowns and evening wear, but this season she dialed back the more opulent ball gowns and opted for more cocktail dresses and demure silhouettes. DeVos looked to some of the greatest modern artists of the 20th century, including Georgia O’Keeffe, Frank Stella, Andy Warhol, and Alice Baber, to inspire her latest designs.

Aqua, blush, champagne, red, lemon, and fuchsia helped define the color palette of the collection. The lyrical brushstrokes that were such a signature of O’Keeffe’s paintings translated to an orange, pink, and lavender gown with an asymmetrical bodice that looked like a painting come to life. Custom ombré chiffons also channeled O’Keeffe’s signature aesthetic.

Stella, who was famous for his geometric precision in painting and sculpture, inspired the opening look. The debut look for Pamella Roland’s spring 2026 was a mirrored laser-cut plexiglass cocktail dress with a flared skirt. Metallic lines and a lemon Mikado cocktail dress also echoed Stella’s architectural edge.

The watercolor chine of a fuchsia, lemon, blush pink, and beige dress was an ode to Baber’s watercolor paintings and the abstract expression that defined her art. Whereas fashion is considered the art we live and go about our lives in, DeVos took this concept literally, as she created art on clothes in several ways for this collection.

Images courtesy of Purple PR

Warhol’s pop sensibilities, which infused their DNA into these designs, were much subtler. A pink embroidered corset dress with a matching cape might at first appear like another beautiful piece of evening wear. Recall that one of Warhol’s most famous works was his silkscreen portraits of legendary film icon Marilyn Monroe. The pink Pamella Roland dress was a modern and elevated nod to the pink gown Monroe wore in the classic film “Gentlemen Prefer Blondes.”

Overall, the collection was a romantic celebration of American modernist painting, created for a lady who loves a good evening gown. For modern art collectors with a society gala or garden party to attend, this was the collection for you.

Kristopher Fraser

 

 

 

 

 

 

 

Norma Kamali Spring 2026

“This is not nostalgia. It is vision – a modern uniform: democratic, directional, and endlessly adaptive.” —Norma Kamali

The Norma Kamali spring 2026 presentation was divided into these parts: NORMA KAMALI SWEATS, NORMA KAMALI LIFESTYLE, AND WARDROBE X NORMA KAMALI/SWIM.  

As Fashion Reverie discovered at last season’s gallery style presentation, Norma Kamali is not a designer who is ever short of ideas, and she also stays true to her design esthetic while incorporating a touch of the current trend and fabric innovations. She has always been known for making clothing that is attractive and meant to be lived in. It’s a sad fact that women have a hard time finding clothing that checks all the boxes, but Norma Kamali garments check those boxes. Everything Fashion Reverie saw was affordable ($200 and under) and multigenerational.

Group 1, NORMA KAMALI SWEATS, shows the designer’s knack for embracing fabric technology to make what was comfy decades ago even more comfortable. Norma has been creating exceptional sweats since 1980. In her latest collection video, she describes her sweats as “comfort food that looks good.” The heather grey ones she showed look good with silver lame tops as fluid as liquid mercury.

Group 2, NORMA KAMALI LIFESTYLE, is all about mixing and matching everything from gowns to jumpsuits, tops, and pants, creating innumerable combinations. Easy-care wardrobe essentials like knee length shorts in black vegan leather and ballet pink pair beautifully with the brand’s staple bomber jacket and flowy long sleeve blouses that work for day and night dressing.

Images courtesy of Atelier PR

Group 3, /WARDROBE X NORMA KAMALI/SWIM is all about fluid jersey dressing. Long ruched body con gowns in a timeless palette of heather grey, white, black and ballet blush pink as well as her iconic boy short swim bottoms can be covered up with a bomber jacket that looks equally great paired with NK jersey dresses and gowns. The best part is that this is a collectible brand that you can expand on season after season with confidence, with the knowledge that everything can be paired together every which way, and that any combination will be flattering.

—Vivian Kelly

Evan Hirsch Spring 2026

Presented at the historic 3 West Club, Evan Hirsch’s Found Opulence: Thrifted Beginnings, Couture Endings unveiled 29 one-of-a-kind looks, each meticulously transformed from garments sourced through ShopGoodwill.com and Goodwill’s brick-and-mortar stores. Sitting in the audience, Fashion Reverie watched as thrifted beginnings were elevated into runway-ready couture, each look shimmering with Hirsch’s signature artistry.

The partnership’s roots are as imaginative as Hirsch’s designs. What began as a quiet experiment, Hirsch hand-beading a red Goodwill dress and returning it to the rack went viral when the six-dollar “couture” piece, caught widespread online attention. That story reached PEOPLE magazine and eventually ShopGoodwill.com, setting the stage for this groundbreaking collaboration.

“My inspiration was what I call Found Opulence: Thrifted Beginnings, Couture Endings,” Hirsch told the audience. “These garments were once overlooked, but with care and imagination, they became extraordinary.” His words rang true as the collection unfolded, blending glamour with sustainability.

The show opened with a cream and gold lace surplice pantsuit, a statement of transformation that set the tone. A parade of gowns followed: a cream and blue evening gown, a midnight sequin dress with floral brooch detail, a gold strapless gown with sash, and a burnt orange one-shoulder piece adorned with floral appliqué. Hirsch’s famed transforming creations drew gasps most memorably, a gold poncho unveiling a pink sequin mini dress and a puff-sleeve wedding gown that blossomed into a brooch-encrusted finale.

The collection struck a balance between romance and edge. Highlights included a silver gown with an embroidered organza cape, a black satin corset dress with ostrich appliqué, a sequined bustier gown with layered skirt, and a sharply tailored black suit reimagined with embroidered mesh overlay. Each look reaffirmed Hirsch’s philosophy that fashion’s most dazzling expressions can spring from humble, thrifted origins.

Images courtesy of John Pankratz

Following the show, Hirsch announced that 15 of the designs will be auctioned exclusively on ShopGoodwill.com, allowing fashion enthusiasts to own runway pieces while supporting Goodwill’s workforce development programs nationwide.

Reflecting on the evening, Hirsch shared: “This show was the most intricate production I have put on to date. I really wanted the event to reflect the grand transformations of the Goodwill pieces by giving each look a spotlight in the ornate Grand Ballroom. When I finally saw all 29 looks together in succession on the runway, I truly felt like my up-cycling dream had come true.”

Tijana Ibrahimovic

Malan Breton Spring 2026

With Malan Breton you can always expect show. And that is what he delivered for his spring 2026 collection. Still, after two decades of presenting collections during New York Fashion Week (NYFW) you would assume that Breton would understand that less is more.

In this spring 2026 collection, Malan Breton did not get the memo. Though there were some stunning garments in this collection, at times there were too many ideas, some which conflicted with Malan Breton’s inspiration. Malan Breton should have remembered what the great Coco Chanel once said, “Before you leave the house, look in the mirror and take one thing off.” In this case, Breton should have taken several things off.

That said, Malan Breton was inspired by time in four acts: Act 1, The Heart; Act 2, Time; Act 3, Transformation, and Act 4, Legacy.  In his program notes Breton exclaims, “Time is the most precious gift, threading life, machine, and humanity together, in a fleeting dance of creation and process. When honored, it reminds us that every moment fuels existence, innovation, and connection. In ways no machine can replicate.”

Through this spring 2026 collection Breton employed 1920s and 1970s themes. There were several beaded flapper-like cocktails dresses that make any woman shine and sparkle, as well as some sparkly sequined and beaded gowns that would complement any red-carpet appearance. Additionally, the sequined ladies’ pantsuits made a quite a statement.

When it comes to Malan Breton’s 70s-inspired men’s suiting there was quite a bit left to be desired. The flared pants were way too flared which threw off the portions of the suits. And some of the boxy shoulders of the suit jackets looked a bit odd with tailoring that could have been more precise.

The addition of former Broadway stars from the original production of “A Chorus Line,” namely Priscilla Lopez, Donna McKechnie, and Baayork Lee was and interesting cast choice. However, most of the audience members had no idea who these Broadway icons were—remember the original “A Chorus Line” is from the mid-1970s. Also, their addition added a kitschy in-your-face quality that Malan Breton should leave behind.

Images courtesy of Lawlor Media Group

Still, as with all Malan Breton’s fashion shows, there was a lot of glitz, glam, and panache. If only he would make his clothes the center of the collection. Bravo to Sandi Bass for great casting of the other models in the show.

—William S. Gooch

 

 

Cynthia Rowley Spring 2026

An eager sea of stripes, sequins, and color-blocked frocks snaked around the outskirts of Robert F. Wagner Park on September 13. As guests got to their seats, the view was a rewarding one. Sailboats with Cynthia Rowley-branded sails, striped in dazzling colors, circled each other between the park and the Statue of Liberty. The visual was the perfect foreshadowing for the collection, a blend of nautical and city slicker energy. It was a show where everyone was in the front row, as the models wove their runway struts through the wooden and concrete step benches.

Rowley’s standout looks were those that juxtaposed feminine fabrics or colors with tomboyish silhouettes, like the seafoam sequin tank paired with baggy khaki shorts and strappy heels. Athletic shorts were worn with silk blazers and stilettos. Nautical nostalgia was referenced in a madras/seersucker jacket and dress pairing, and several rugby shirts that matched the sails on the water behind them.

Notably. Cynthia Rowley’s daughter, 26-year-old Kit Keenan made her runway debut in a black strapless mini, decorated with mixed metal rings that sparkled in the sunset light.

Most looks were accessorized similarly; abstract gold and silver cuffs, belts with funky buckles set on the low waist, worn backwards, and layered on top of each other.

At the show’s end, Cynthia joined the models lined before the water’s edge, and the crew celebrated the joyous evening, full of smiles and cheers. It is impossible to ignore, Rowley has staying power.

Images courtesy of theimpression.com

Cynthia Rowley’s spring 2026 collection marked her 101st runway show during New York Fashion Week. The show came days after the CFDA’s announcement honoring her with the Founder’s Award in Honor of Eleanor Lambert.

—Marley Gifford

A.L.C Spring 2026

When it comes to labels sitting just shy of being a household name, A.L.C. by Andrea Lieberman consistently remains one to watch. Season after season, A.L.C. highlights the translation between modern sportswear and the polished, quietly glamorous look we see so often. The spring 2026 collection pushed that vision forward, balancing structure with softness, masculine tailoring with subtle femininity.

From the start of the show, it was clear there was a strong emphasis on ease. Relaxed trousers paired with fluid knits, draped jersey dresses, and boxy shirts cut in fine fabrics suggested a wardrobe built for the woman who values comfort without sacrificing presence. The use of SeaCell jersey—a fabric created from seaweed—gave pieces such as a navy column dress a weightless, airy quality, while a mint knit set seemed designed to move with the body rather than against it.

This loose tailoring stayed consistent throughout the collection. Wide-leg trousers hung loose rather than stiff, blazers skimmed the frame instead of constricting it, and jeans, too, took on a loose silhouette, signaling A.L.C.’s ongoing commitment to wearability over rigidity. It all felt like stepping into the wardrobe of the coolest, most self-assured woman you know, minimal in palette, heavy on versatility, punctuated by sharp pops of orange and lace.

Images courtesy of vogue.com

Accessories stayed understated, allowing the clothes to do the talking, but the craftsmanship and materiality underscored Lieberman’s point: these are garments made to last, cut for confidence, and softened for reality.

—Sydney Yeager

 

 

Public Serv-ce Spring 2026

Streetwear fashion is a legitimate part of the fashion lexicon. What was once seen as a passing trend has now become a focus in style and projection for many fashion designers/brands.

Public Serv-ce is one such fashion brand. Founded in 2022 by Raphael Young, Public Serv-ce emphasizes bold wardrobe essentials where foundational basics reign supreme.

In this debut collection at New York Fashion Week (NYFW) Young choose to stick mostly with a neutral palette. This decision worked well for some silhouettes; however, as an overall approach the neutral palette the collection, at times, appears as a more of same streetwear collection with very little pop and interest.

What can be said about this collection is that the garments are well constructed with good styling. And it is quite obvious that Young aims to merge hip-hop culture with refined tailoring. Young does just that; unfortunately, what is missing from this lofty effort is a projection toward the future. As the great fashion editor Diana Vreeland distilled, “fashion should be now and next.” The Public Serv-ce spring 2026 is absent of the all-important next.

Images courtesy of vraimagazine.com

Without the next, we’ve seen these looks before. Maybe not as well constructed, but all seen before!!

That said, this NYFW debut is a very good start. If Young turns the volume up, adds some bold color while staying true to his design aesthetic, this brand could gain some serious traction.

William S. Gooch

Janet Mandell Spring 2026

Janet Mandell presented her spring 2026 outing with inspirations from the 1990s and early 2000s era of glamour. The models had simple hair styles with sultry make-up, embodying the era perfectly.

This curated collection was completely sourced from vintage stores, making it true to those eras. Each piece was enhanced with details added by Janet Mandell herself.  The story behind additions, was to add, “femininity, beauty, sexiness, risk, confidence. The details make the wearer feel bold.”

Befitting of the time, the 90s and 2000s embraced the ideas of women empowerment, coupled with a bold glamor.  The collection is somewhat reminiscent of “Sex in the City” or “Girlfriends” and their groundbreaking approaches to chronicle women who were truly free in all aspects of their lives. The clothing reflects the freedom to show off some skin and add something flashy that will guarantee that a woman who wears them will be seen.

The Janet Mandell aesthetic is an extension of the feminine freedom of the latest curated collection.  Janet Mandall runs her company with sustainability at its core.  She decided to be creative and be a part of the solution of being sustainable without compromising the demand for luxury, by making her brand a rental company for luxury vintage pieces. The mission of the Janet Mandell brand is simple, “to extend the life of a high-end fashion, by making it accessible, sustainable, and beautifully maintained.”

Mandell shops all over the country, acquiring unique pieces from brands such as, Alaia, CHANEL and DIOR, and many more. The rental prices start as low as $50 for a four-day rental. Through this approach, a person who wants to be “nostalgic” in their clothing choices will never get the look wrong, since the pieces come straight from seasons past. Not only does this feed the nostalgia cravings but also satisfies the industry’s need to be sustainable. 

Images courtesy of theimpression.com

Traditionally, high-end brands have burned their unsold items at the end of the season for fear of being copied. That said, the dupe industry is, unfortunately, booming. And the days of burning unsold items to protect their IP is simply viewed as wasteful. Janet Mandel provides one solution to prevent that waste, renting designer items out so that clients can have access to these designer clothes without paying a hefty amount—for most of the items—and putting it back into the cycle for someone else to enjoy.

Mandell is a firm believer that this approach is the most sustainable way to distribute and enjoy luxury items, even if it’s temporary. Janet Mandell showrooms are currently located in New York City, Los Angeles and Chicago.

 

—Farah Akbar

HOLD NYC Spring 2026

In this spring 2026 outing, HOLD NYC seeks to break with traditional male suiting and project a more comfortable, consumer-friendlier way for men to be styled and look professional. Holden Akerley projects a strong queer aesthetic into this spring 2026 collection.

That said, in 2025, with spring 2026 right around the corner, what is a queer aesthetic? As we have moved and embrace—well some folks—LGBTQIA+ culture and the lines between masculine and feminine silhouettes have become increasingly blurred, it is sometimes difficult to discern what a queer aesthetic looks like.

What was evident about the HOLD NYC spring 2026 collection was the bold color used with a variety of textiles and fabrics and that this collection was heavy—in a good way—with great separates. As in previous outings, this spring 2026 collection focuses on how stylish young men want to dress.

There is also a lot of bold colors in this spring 2026 collection. This collection is saturated with pastel blue and vibrant teal hues, pops of pink, touches of shimmer, flared shorts, and just a hint of retro-mod style knitwear, it’s a sexy menswear collection designed to be flaunted for the warmer and relaxed season ahead. And if you want to make a strong fashion statement that draws attention at every turn this collection is for you!!

Images courtesy of CCM Media

If there was one drawback to this presentation it would be the Mount Everest steps that had to be climbed—and in my case conquered—to get to this showing. We all know that at times fashion is often created for the young at heart. However, in this outing, this presentation was for youthful energy. It took a lot of energy to climb to the fourth floor to witness the HOLD NYC spring 2026.

Luckily, it will not take that kind of energy to purchase this collection that dresses a variety of men at every jointure of their day. Let the gods be praised!!

—William S. Gooch

 

 

VERDAVAINNE Spring 2026

Fashion industry professionals often say that the world of the ladies who lunch is a bygone era. The world of Truman Capote’s Swans and Jackie Kennedy Onassis, Blaine Trump and those Upper Eastside style mavens is over. Cyril Verdavainne of the namesake fashion brand VERDAVAINNE believes not quite yet. And his spring 2026 collection reflects that perspective.

That said, VERDAVAINNE’s spring 2026 collection goes beyond the ladies who lunch of the 1950s and 1960s, in fact this collection is a modern dissertation on well-heeled women who choose to look glamorous at every jointure of their day. And unlike the ladies who lunch of previous decades, Cyril Verdavainne has created garments that reflect lifestyle of modern women that reflect more movement and comfort.

“My inspiration has always been my client. I design for women who want to feel incredible and at peace with how they look—with silhouettes that are versatile for real life, yet glamorous enough to take her straight from the street to the Emmys,” explained Cyril Verdavainne. With that in mind, this collection is a journey through a modern garden in bloom, balancing architectural tailoring with fluid romanticism.

A spectrum of looks moved from luminous ivories and periwinkles to bold florals, vivid neons, and gilded metallics, each imbued with meticulous handwork—brocades, Guipure lace, embroidery, and sequins that shimmered under the lights. Shirt dresses and portrait gowns shared the runway with trapeze cocktails and sweeping capes, offering both playful freshness and regal drama.

Images courtesy of VERY New York

Signature looks and key elements of this spring 2026 collection include but is not limited to Trapunto belts and sashes which provided the collection’s heartbeat, sculpting silhouettes and drawing the eye to the waist with dramatic precision. Standout looks in this collection were the collection’s ivory satin twill, oversized shirt and Trapunto belt, silver fil coupé organza strapless cocktail, periwinkle textured Mikado evening robe and Trapunto belt, multicolor organza shirt dress with floral motif, and white hand-embroidered corded floral on silver tulle.

—William S. Gooch

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