Leanne Marshall Fall 2024

Everybody loves figure skating. Well, most of us do. If you are Leanne Marshall, the two loves of her life are fashion and figure skating.

That said, since those two things are two of your favorite things, why not combine your two passions into a fashion collection? Leanne Marshall for her fall 2024 collection did just that.

Leanne Marshall chose to present her fall 2024 fashion collection on the Ice Rink at Bryant Park. And while some fashion industry professionals may consider this ice-skating presentation gimmicky, for Leanne Marshall there was no better venue that would show off the movement quality of her garments than the Ice Rink at Bryant Park. (Fashion industry professionals are always chatting about how a garment moves. You can’t get garments to move any better than skating on an ice rink.)

“I often think about my first time there, 15 years ago when I showed my winning Project Runway collection in Bryant Park during fashion week. NYFW was something else quite spectacular when it was held in Bryant Park, and I am so happy and honored to have experienced that. My NYC fashion career was kind of born there some 15 years ago, and I get that same surreal magical feeling whenever I skate there now,” says Marshall.

Leanne Marshall’s fall 2024 consists of flowy, diaphanous dresses embellished with ruffles, a few sequins. These flowy dresses come in bold pastel colors. And these whimsical dresses evolved from similar garments that Marshall was creating her showroom that she wore to her ice-skating lessons.

“The dopamine high of skating around in a flowy dress: I 10 out of 10 recommend!  This natural high led to an idea to do a show or photo shoot where she could have pro skaters wearing her collection and she would watch them move in tandem with the fashions to create a new fashionable synergy. “Not wear them to compete or perform in,” explains the designer, “but more to explore the way they’d create movement and to capture that joy I’ve grown to love,” explained Marshall.

Images courtesy of VERY New York

Though this is a nontraditional approach to a fashion show, Marshall’s presentation provides lots of joy and smiles. And isn’t that one of the things that fashion is all about.

Marshall says it best, “My biggest purpose in designing anything is to bring a sense of joy and uplift to the wearer. We all need fun and play in our lives, now more than ever.”

Well said!!

William S. Gooch

 

 

 

David Koma Fall 2024

David Koma’s fall 2024collection is what a dancer looks like from day to night!  Through a study of dance emerges an imaginary exchange between the late German neoexpressionist dance pioneer Pina Bausch and the contemporary Spanish action artist Candela Capitan. The collection deconstructs the dress codes of the on-duty and off-duty dancer’s wardrobes through the modernist glamour of David Koma.

The collection swings the pendulum between minimalism, maximalism, shape and color. What is also fabulous about this collection is you see both Pina Bausch minimalism reflected in the neutral color palettes of white and black. The silhouettes created in that color palette becomes complete with the addition of leggings or trousers, producing a head to toe look that is cohesive. The dancers’ uniform or costumes morph into gorgeous tops and evening dresses. Chiffon and marabou fathers are also incorporated into some of the garments in this fall 2024 collection.

Candela Capitan’s influence can be seen with the pieces that are structured well with excellent tailoring. With fabric selections such as neoprene, liquid jersey, and macramé infused with color but still reflecting a dancer’s wardrobe, the collection just comes alive! The luxe touches of shearling and knee-high soft leather boots is the icing on the cake. Art truly meets fashion in this collection.

Talk about now and next, this collection has both. Let wearable art rule the day!!

Images courtesy of David Koma

Well done, David Koma, well done.

Renessta Olds

 

AKNVAS Fall 2024

For this New York Fashion Week (NYFW), AKNVAS has again shown a testament to artistic inspiration and timeless elegance. From tactile knitwear infused with playful Pom Pom details, honoring Richard Artschwager’s enigmatic art, to faux fur pieces mirroring the ethereal charm of John Currin’s paintings, even the finest detail of the threads tells a story of creativity and culture. Under the vision of Christian Juul Nielsen, AKNVAS unveiled a compelling portrayal inspired by a recent journey to Rome.

AKNVAS founder, Christian Jull Neilsen, says this collection represents “A voyage between La Galleria Nazionale in Rome and John Currin’s emotional portraits.”

Nielsen’s vision extends further to the vibrant atmosphere of the Chelsea galleries in New York City, drawing inspiration from the emotive portraits by John Currin. Adding another layer of architectural homage, column shapes emerge throughout the collection, mirroring the grandeur of Roman columns. These structural elements adorn garments, offering a sculptural dimension that echoes the iconic architecture of the ancient city. Textures include stone-washed denim flowers inspired by Hellenistic statues, gold details echoing the palazzos of Rome, and new faux furs that bring the portraits of John Currin to life. This artistic reference adds depth to the collection, juxtaposing the historical richness of Rome with contemporary notions of femininity and desire.

Textures are always key to the soul of AKNVAS, this season the textures are experienced in elongated cable knit pencil skirts, wool pon pons, and fringe decorating knit styles on both oversized sweaters and body-con rib dresses. This collection seamlessly incorporates minimal tailoring in pinstripe fabrics and stone-washed denim, echoing the AKNVAS signature of clean lines and subtle details. On top of that, 3D flowers bloom in stone-washed denim and crochet, capturing the essence of an enchanted Roman garden.

Images courtesy of AKNVAS

Finally, draped sequin dresses pay tribute to Rome and Currin’s artistry, embodying the grandeur of Roman architecture and the emotive brushstrokes of Currin’s masterpieces. These concepts evoke a meaningful narrative of beauty, craftsmanship, and timeless appeal.

Lauren Pierre Louis

RETROFETE Fall 2024

EXUALITY. CONFIDENCE. ALPHA. Those are the three words the founder of RETROFETE used to describe the brand’s upcoming womenswear collection for the fall 2024 collection. The Israeli-born designer, Ohad Seroya, gives a first taste of timeless glamour with this collection. He found a perfect balance of inspiration and culture from his home country and his new home in New York. From Tel Aviv and the abundant nightlife in Israel to the bustling pop culture from New York, especially from the 1980s and films, Seroya took those two factors and created the perfect representation of what he calls ALPHA WOMAN.

“Surrounded by powerful women across all facets of my life, I find myself drawn to their fierce energy. This feeling comes to life through my designs, unveiling the collection’s focal point: The ALPHA WOMAN. Both professional and provocative, she is the embodiment of timeless glamour. Setting the scene for this season, the ’80s are reimagined as we draw back the curtain on this sophisticated starlet.”      

RETROFETE goes deep in exploring the sexual dynamism found in the garments on the runway. Whether it’s an eye-catching sequined dress, a fur coat over a cinched blazer dress, or even a rebellious denim jacket with a warm blue accent on the edges, the versatility of this collection knows no bounds.

Images courtesy of RETROFETE

When someone wears a RETROFETE garment, you can stop and observe that they’re the life of the party, and that’s exactly what Seroya did in this fall 2024 collection … brought LIFE to the PARTY. With the runway studded with flamboyant silhouettes and over-the-top glam, RETROFETE is unapologetically sexy.

Lauren Pierre-Louis

NARDOS Fall 2024

One of the hardest things for a fashion brand to accomplish is a great second collection after a stunning debut collection. Usually, fashion designers put all their skills and craft into their first collection which may leave said designer bankruptcy when it comes to their sophomore effort.

That is not the case with Nardos Imam.  Inspired by the Gilded Age of the 1880s, Imam ingeniously distilled the glamour and elegance of the Gilded Age into her fall 2024 collection.

“My inspiration can be best be articulated through the fusion of American fashion from the Gilded Age with a contemporary twist. I have seamlessly woven the elegance of this Age into my collection, taking cues from the opulence of that era while infusing vibrant colors inspired by the exotic birds found in fine art. During that time, women used fashion not only as a form of expression but also as a reflection of their beliefs,” explain Nardos Imam.

Though this collection contained 54 looks—an enormous amount compared to the number of garments seen in other New York Fashion Week (NYFW) collections—with a few exceptions, for the most part there was cohesiveness in this collection. And though this collection was slightly less spectacular than the brand’s debut ready-to-wear collection, there were stunning garments in this 2024 collection.

In this outing, Nardos Imam demonstrated that her brand is a viable alternative and even maybe a first choice when it comes to red-carpet garments for the fall 2024 season. Particularly, if a classic elegance updated with a modern sensibility, is the desired projection.

Standout looks in this collection include, but are not limited to, the brand’s tailored blouson sleeve jacket with draped slit skirt, silk and wool pearl embroidered jacket and dress capture a classical elegant blend with a modern twist, ivory knit dress with blouson sleeve bolero and organza floral details, intricate Italian velvet lace with dramatic ruffle neckline, dress featuring a lavish red embroidered bodice that flows into a voluminous tulle overlay, and sculpted jeweled embroidered bodice with a shimmering tulle skirt.

Images courtesy of Atelier PR

Bravo Nardos Imam, Keep the glamour and elegance coming!!

—William S. Gooch

Libertine Fall 2024

Day One of New York Fashion Week (NYFW) kicked off with a bang! Libertine, a luxury ready- to-wear brand unveiled their fall 2024 collections for men and women. With lines stretching down the block full of industry professionals and influencers trying to get into the Starrett-Lehigh, Fashion Reverie expected an exciting show!!

 Libertine creative designer Johnson Hartig did not disappoint. The collection was filled with luxurious details. The runway was awash in sequins, colorful flowers, black and white checkered pants, and veiled headbands. Also incorporated into this collection is one of Fashion Reverie’s favorites, the embellishment trend. Vibrant colors, lively prints and crystal embroidery reigned supreme.

Hartig drew inspiration, through deep hypnosis sessions, from the lives of creatives Jean Cocteau, Mary Quant, Peggy Guggenheim, and Lord Bryon emerged! The designer says, “Peggy Guggenheim emerged three times, suggesting a strong kinship between them while expressing a desire to wear Libertine and jazz it up a bit.”

Embellished blazers and graphic prints are what the brand is known for, and the DNA aesthetic of Libertine allows consumers to go from daytime to nighttime in the same look!  And there are lots of buttons on garments in this fall 2024 as is true to the brand DNA of Libertine. However, this season the decorative buttons have a historical reference. These buttons heavily adorn coats and sunglasses, and in some cases, reference the iconic Peggy Guggenheim who always wore signature sunglasses.

In addition to historically referenced buttons, Hartig took lines from Byron’s 1816 poem “Darkness,” placing those lines on black on ivory and ivory on black suits and coats. These prints, so to speak, also contain images of Hartig, friends, dogs and the personal belongings of the Libertine staff.

Images courtesy of Libertine

True to form this fall 2024 collection is an assemblage of several reference points, but it all miraculously comes to gather in a cohesiveness that is unique to Hartig. Bravo Johnson!!

Renessta Olds

Givenchy Men’s Fall 2024

Like many fashion brands this season, Givenchy looks to redefine and reinvent masculinity.  Givenchy Creative Director Pierpaolo Piccioli wants to reinterpret masculine silhouettes as a tool in dismantling machoism and toxic masculinity. And his fall 2024 men’s collection reflects this sentiment.

In previous collections Piccioli was heavily influenced by youth culture, resulting in a more casual and ease of movement collection. That point of view was evident in the brand’s fall 2024 collection with Piccioli looking to reinvent the traditional men’s suit.

Instead of the ‘Brooks Brother-like’ suit in neutral tones with a skinny tie and white dress shirt, Piccioli redefined men’s suiting by taking streetwear/urban looks—hoodies, denim, oversized pants, and tracksuits—and creating those urban-inspired garments in luxury, soft fabrics, with chiffon linings and more feminine, rounded shapes. And Piccioli’s perspective on a softer masculinity works!!

This fall 2024 men’s collection proves that Piccioli has his fingers on the pulse of what young consumers want, even if some consumers don’t know that they want to go in this direction. No longer do young male consumers seek to affirm their masculine swagger with looks that are overtly masculine. As demographics shift and change, and cultures adapt and redefine themselves, so have male consumers.

And while some menswear brands and collections are struggling to keep up with this expansion of masculinity, other brands, like Givenchy, are already ahead of the curve. Piccioli sensitivity to changing perceptions is evidenced in a much more global approach to masculinity, taking this fall 2024 collection out of the limitations of how the Western world experience a menswear aesthetic.

Images courtesy of vogue.com

Though this collection is heavy on neutral tones—dark blues, black, greys, and white—there are some pops of color. And Piccioli keeps the clean, sleek lines that his design aesthetic is known for while pushing this collection into the next iteration of menswear. His customers will be very pleased.

—William S. Gooch

 

 

Balmain Men’s Fall 2024

Change is inevitable, it is a constant that is very dependable. And no industry reflects more than the fashion industry.

Still, change in the fashion industry usually appears in the form of new models, fashion brands that go in and out of style, or design silhouettes or styles that are no longer trending. Rarely does change in the fashion industry reflect a change in demographics or a beauty evolution.

Olivier Rousteing’s fall 2024 men’s collection for Balmain reflects that type of readjustment. And the change or readjustment in fashion is already here, not projection toward what future holds.

 The most obvious expression of this change is Rousteing’s expansion of masculinity for the Balmain male consumer. Rousteing has always provided his male customer with beaded leather jackets, bold color, binary silhouettes, and glitz and glam. Consider his fall 2017 collection inspired by Queen with a medley of Queen’s greatest hits as the backdrop for the fall 2017 runway show.

In this outing, Rousteing expands his penchant for reimagining masculinity as seen through the lens of modernity and what some adventurous male consumers want to present in the world. That male consumer does not have a retiring presence or seeks to blend in. This consumer is bold, risk-taking, and extremely confident.

For that type of male consumer, this loud—but not ostentatious—collection more than fits the prescription. Yet, Rousteing, following the directive of iconic fashion editor Diana Vreeland, had a lot of next in this collection. In fact, at times, there is more next than now. Still, we need that right now in fashion. Collections that push the proverbial fashion envelope more than making consumers comfortable with their ideas of how they want to dress, giving them something to aim for.

What also stands out in this fall 2024 collection is how Rousteing realized several African themes in this outing. In the middle of the runway show there was a homage to Congo’s sartorial cult, the sapeurs.

There was also a print collaboration with Accra based Prince Gyasi. The Prince Gyasi image was screen printed on clothing, making for an interesting mix of pop art and expanded masculine silhouettes. Additionally, Rousteing used Cameroonian Ibby Njoya collaborative art on suitcases and other travel luggage.

Still, these infusions were not the only things that pushed this fall 2024 collection into the stratosphere. There was huge African and Asian model presence in this runway show. While in the past five years we have experienced a much larger model of color presence on runways and in fashion campaigns, Rousteing pushed that presence even further.

Images courtesy of Daniele Oberrauch/gorunway.com

Add to this expanded model of color experience, Rousteing employed wonderful high-waisted pants and padded shoulders married with an explosions color. And with Naomi Campbell closing the show in a padded beige cashmere coat with a surrealist belt whose fastening was two hands clasped to hold a golden bouquet of golden flowers, we assured that change and a new era is already here!!

—William S. Gooch

Louis Vuitton Men’s Fall 2024

For his second men’s fall 2024 collection for Louis Vuitton, Pharrell Williams looked to American indigenous cultures and the American cowboy for inspiration. Similar to Williams’ debut collection, Williams’ is diligently putting his own personal stamp on the historic French luxury house.

By injecting American themes into his Louis Vuitton men’s collections, Williams is making a dramatic statement of his intention of redefining Louis Vuitton’s men’s collection as a luxury menswear line that is reinterpretation luxury for the modern consumer and as a brand that is establishing deep roots in urban culture.

While some fashion purists may be outraged at this direction—though Virgil Abloh set the brand on this path under his auspice with less vitriolic discomfort—all luxury fashion brands are struggling to attract younger consumers as their previous consumer base is purchasing far less merchandise or is dying off. Williams, aware of changing demographics, understands that urban culture is a central motivating force among young consumers. Williams is also uniquely aware that Asian and black consumers have outpaced white buyers when it to comes purchasing luxury goods. With those two facts in mind, his creative overhaul of Louis Vuitton is necessary.

Creatively and politically this collection is noteworthy. By conjuring up images of American indigenous cultures, Williams is making a statement on the lack of American indigenous aesthetics in luxury fashion. But this political statement doesn’t just stop there. Williams includes American indigenous craftsmen and indigenous models in this fall 2024 collection.

While this collection was heavily inspired by American themes, this sophomoric collection contained more creative expansiveness than Williams’ debut collection. Williams’ first collection for Louis Vuitton men was more about William making a signature statement about his arrival at the iconic luxury house and injecting his personal aesthetic onto Louis Vuitton. And while this collection was heavy on Williams’ design aesthetic, Williams found an ingenious way of injecting indigenous cultures without pandering and appropriating American indigenous cultures the way some have in the past.

Williams used American indigenous cultures as a starting point to bring in the influences of an expansive masculinity, streetwear culture, and redesigned denim. Additionally, Williams helps consumers see indigenous cultures in a more modern and innovative way.

Williams overtly drew inspiration from not only native cultures, but all the appropriated visions of native cultures found in cinema evidenced in the fancifully imprinted denim chaps and wide-legged pants, Country Western jackets, duster coats, and fringed leather jackets. He also found a very interesting way to incorporate the ‘Damoflage’ Louis Vuitton signature print in a way that evokes Western cowboy culture.

Image courtesy of Filippo Fior/gorunway.com

With this collection Pharrell Williams is proving that he is not a one-hit wonder for Louis Vuitton, but that he is continuing to expand the brand to a more global audience with fresh, innovative ideas. Williams brings so much of what consumers desire in present time, next for Williams is injecting a bit more luxury into this luxury behemoth and creating what consumers want before they know they want it. The best is yet to come!!

—William S. Gooch

Morilee Bridal Fall 2024

2023 is a very special for the Morilee bridal brand. In fact, this year is their 70th anniversary. That’s right the 70-year anniversary with Madeleine Gardner at the helm for over two decades.

In celebration of its 70th anniversary, Gardner marries traditional bridal silhouettes with a modern elegance and opulent glamor. There’s lots of tailored layering, as well as sculptural necklines with some beautiful hand beading. Additionally, each gown exudes movement and a modern sensuality which all so necessary for modern brides.

What especially stood out at this runway presentation was the joy that each model brought to each appearance on the runway.  There was pride, there was sass, and above all the models really understood how to show off the bridal gowns. Which is understandable, after all this was the 70th anniversary of the brand, so a celebratory mood was in order.

This fall 2024 collection was an homage to Morilee. Still, the collection didn’t start and stop as a look backward retrospective, there were several bridal gowns that demonstrated that this collection was not just a tribute.

Images courtesy of Atelier PR

Standouts in this collection included, but were not limited to, the strapless A-line wedding dress with optional sleeves made with organza and Mikado, strapless fit-and flair wildflower tulle wedding dress with a sweetheart neckline, off-the-shoulder ball gown in tulle with a layered fabric, and long sleeve trumpet wedding dress with a bateau neckline in tulle.  And it must be noted that the ballgown with black floral bodice, embellished with white floral rosettes was an absolute stunner and showstopper.

William S. Gooch

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