One of the most sought after invites for New York Fashion Week (NYFW) spring 2026 is the Alice & Olivia presentation. Fashion Reverie was on the scene to take in this collection entitled “Gilded Age.” Held at the historic Surrogates Court, the collection opens with a tableau of 19th-century opulence—complete with grand staircases draped in pearls and literary nods to The Gilded Age.
The Alice & Olivia fall 2026 vignettes presented feature pieces that reflect romantic meeting maximalist glamour where femininity is reframed as power and dressing becomes an act of assertion. Inspired by the grandeur and contradictions of The Gilded Age, the collection showcases a world full of excess, invention, and beauty—where corsetry is worn with conviction and embroidery becomes artful armor. Creative director Stacey Bendet reimagines, “Victorian opulence through a modern lens, blending romantic tradition with the spirit of contemporary independence.”
With 46 looks in this latest collection there is much to explore, intricate gold and pearl embroidery, lace, silk slips, and sweeping ball skirts are grounded by denim, tailored trousers, and statement outerwear. The color palette of black, ivory, gold, silver, and burgundy underscores the collection’s bold energy, while silhouettes range from sculptural gowns with detachable bustles and dramatic trains to sharply styled separates. One of the pieces that continuously caught Fashion Reverie’s eye was the ‘party top’—crystal corsets, lace bustiers, and chain-mail camisoles designed to transform denim into a statement of effortless luxury.
Images courtesy of Fashion Reverie
One of the things that the brand shared with Fashion Reverie is that they have incorporated advanced AI technology into this latest collection that is used to develop intricate, photoreal embroideries, enhancing craftsmanship while preserving creative authorship. This presentation features a collection that is glamourous but not too much (if you know what we mean.) It’s a fresh and modern expression of femininity.
—Renessta Olds
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