A.L.C Spring 2026

When it comes to labels sitting just shy of being a household name, A.L.C. by Andrea Lieberman consistently remains one to watch. Season after season, A.L.C. highlights the translation between modern sportswear and the polished, quietly glamorous look we see so often. The spring 2026 collection pushed that vision forward, balancing structure with softness, masculine tailoring with subtle femininity.

From the start of the show, it was clear there was a strong emphasis on ease. Relaxed trousers paired with fluid knits, draped jersey dresses, and boxy shirts cut in fine fabrics suggested a wardrobe built for the woman who values comfort without sacrificing presence. The use of SeaCell jersey—a fabric created from seaweed—gave pieces such as a navy column dress a weightless, airy quality, while a mint knit set seemed designed to move with the body rather than against it.

This loose tailoring stayed consistent throughout the collection. Wide-leg trousers hung loose rather than stiff, blazers skimmed the frame instead of constricting it, and jeans, too, took on a loose silhouette, signaling A.L.C.’s ongoing commitment to wearability over rigidity. It all felt like stepping into the wardrobe of the coolest, most self-assured woman you know, minimal in palette, heavy on versatility, punctuated by sharp pops of orange and lace.

Images courtesy of vogue.com

Accessories stayed understated, allowing the clothes to do the talking, but the craftsmanship and materiality underscored Lieberman’s point: these are garments made to last, cut for confidence, and softened for reality.

—Sydney Yeager

 

 

Public Serv-ce Spring 2026

Streetwear fashion is a legitimate part of the fashion lexicon. What was once seen as a passing trend has now become a focus in style and projection for many fashion designers/brands.

Public Serv-ce is one such fashion brand. Founded in 2022 by Raphael Young, Public Serv-ce emphasizes bold wardrobe essentials where foundational basics reign supreme.

In this debut collection at New York Fashion Week (NYFW) Young choose to stick mostly with a neutral palette. This decision worked well for some silhouettes; however, as an overall approach the neutral palette the collection, at times, appears as a more of same streetwear collection with very little pop and interest.

What can be said about this collection is that the garments are well constructed with good styling. And it is quite obvious that Young aims to merge hip-hop culture with refined tailoring. Young does just that; unfortunately, what is missing from this lofty effort is a projection toward the future. As the great fashion editor Diana Vreeland distilled, “fashion should be now and next.” The Public Serv-ce spring 2026 is absent of the all-important next.

Images courtesy of vraimagazine.com

Without the next, we’ve seen these looks before. Maybe not as well constructed, but all seen before!!

That said, this NYFW debut is a very good start. If Young turns the volume up, adds some bold color while staying true to his design aesthetic, this brand could gain some serious traction.

William S. Gooch

Janet Mandell Spring 2026

Janet Mandell presented her spring 2026 outing with inspirations from the 1990s and early 2000s era of glamour. The models had simple hair styles with sultry make-up, embodying the era perfectly.

This curated collection was completely sourced from vintage stores, making it true to those eras. Each piece was enhanced with details added by Janet Mandell herself.  The story behind additions, was to add, “femininity, beauty, sexiness, risk, confidence. The details make the wearer feel bold.”

Befitting of the time, the 90s and 2000s embraced the ideas of women empowerment, coupled with a bold glamor.  The collection is somewhat reminiscent of “Sex in the City” or “Girlfriends” and their groundbreaking approaches to chronicle women who were truly free in all aspects of their lives. The clothing reflects the freedom to show off some skin and add something flashy that will guarantee that a woman who wears them will be seen.

The Janet Mandell aesthetic is an extension of the feminine freedom of the latest curated collection.  Janet Mandall runs her company with sustainability at its core.  She decided to be creative and be a part of the solution of being sustainable without compromising the demand for luxury, by making her brand a rental company for luxury vintage pieces. The mission of the Janet Mandell brand is simple, “to extend the life of a high-end fashion, by making it accessible, sustainable, and beautifully maintained.”

Mandell shops all over the country, acquiring unique pieces from brands such as, Alaia, CHANEL and DIOR, and many more. The rental prices start as low as $50 for a four-day rental. Through this approach, a person who wants to be “nostalgic” in their clothing choices will never get the look wrong, since the pieces come straight from seasons past. Not only does this feed the nostalgia cravings but also satisfies the industry’s need to be sustainable. 

Images courtesy of theimpression.com

Traditionally, high-end brands have burned their unsold items at the end of the season for fear of being copied. That said, the dupe industry is, unfortunately, booming. And the days of burning unsold items to protect their IP is simply viewed as wasteful. Janet Mandel provides one solution to prevent that waste, renting designer items out so that clients can have access to these designer clothes without paying a hefty amount—for most of the items—and putting it back into the cycle for someone else to enjoy.

Mandell is a firm believer that this approach is the most sustainable way to distribute and enjoy luxury items, even if it’s temporary. Janet Mandell showrooms are currently located in New York City, Los Angeles and Chicago.

 

—Farah Akbar

HOLD NYC Spring 2026

In this spring 2026 outing, HOLD NYC seeks to break with traditional male suiting and project a more comfortable, consumer-friendlier way for men to be styled and look professional. Holden Akerley projects a strong queer aesthetic into this spring 2026 collection.

That said, in 2025, with spring 2026 right around the corner, what is a queer aesthetic? As we have moved and embrace—well some folks—LGBTQIA+ culture and the lines between masculine and feminine silhouettes have become increasingly blurred, it is sometimes difficult to discern what a queer aesthetic looks like.

What was evident about the HOLD NYC spring 2026 collection was the bold color used with a variety of textiles and fabrics and that this collection was heavy—in a good way—with great separates. As in previous outings, this spring 2026 collection focuses on how stylish young men want to dress.

There is also a lot of bold colors in this spring 2026 collection. This collection is saturated with pastel blue and vibrant teal hues, pops of pink, touches of shimmer, flared shorts, and just a hint of retro-mod style knitwear, it’s a sexy menswear collection designed to be flaunted for the warmer and relaxed season ahead. And if you want to make a strong fashion statement that draws attention at every turn this collection is for you!!

Images courtesy of CCM Media

If there was one drawback to this presentation it would be the Mount Everest steps that had to be climbed—and in my case conquered—to get to this showing. We all know that at times fashion is often created for the young at heart. However, in this outing, this presentation was for youthful energy. It took a lot of energy to climb to the fourth floor to witness the HOLD NYC spring 2026.

Luckily, it will not take that kind of energy to purchase this collection that dresses a variety of men at every jointure of their day. Let the gods be praised!!

—William S. Gooch

 

 

VERDAVAINNE Spring 2026

Fashion industry professionals often say that the world of the ladies who lunch is a bygone era. The world of Truman Capote’s Swans and Jackie Kennedy Onassis, Blaine Trump and those Upper Eastside style mavens is over. Cyril Verdavainne of the namesake fashion brand VERDAVAINNE believes not quite yet. And his spring 2026 collection reflects that perspective.

That said, VERDAVAINNE’s spring 2026 collection goes beyond the ladies who lunch of the 1950s and 1960s, in fact this collection is a modern dissertation on well-heeled women who choose to look glamorous at every jointure of their day. And unlike the ladies who lunch of previous decades, Cyril Verdavainne has created garments that reflect lifestyle of modern women that reflect more movement and comfort.

“My inspiration has always been my client. I design for women who want to feel incredible and at peace with how they look—with silhouettes that are versatile for real life, yet glamorous enough to take her straight from the street to the Emmys,” explained Cyril Verdavainne. With that in mind, this collection is a journey through a modern garden in bloom, balancing architectural tailoring with fluid romanticism.

A spectrum of looks moved from luminous ivories and periwinkles to bold florals, vivid neons, and gilded metallics, each imbued with meticulous handwork—brocades, Guipure lace, embroidery, and sequins that shimmered under the lights. Shirt dresses and portrait gowns shared the runway with trapeze cocktails and sweeping capes, offering both playful freshness and regal drama.

Images courtesy of VERY New York

Signature looks and key elements of this spring 2026 collection include but is not limited to Trapunto belts and sashes which provided the collection’s heartbeat, sculpting silhouettes and drawing the eye to the waist with dramatic precision. Standout looks in this collection were the collection’s ivory satin twill, oversized shirt and Trapunto belt, silver fil coupé organza strapless cocktail, periwinkle textured Mikado evening robe and Trapunto belt, multicolor organza shirt dress with floral motif, and white hand-embroidered corded floral on silver tulle.

—William S. Gooch

Ricca Sposa Atelier Bridal Spring 2026

New York Bridal Week (NYBW) has a reputation for promoting American bridal designers. Still, there is a host of bridal designers that present during NYBW that come from different companies. Ricca Sposa Atelier is one such brand.

Hailing from the Ukraine, in this spring 2026 outing, the bridal brand concentrated on purity of form and quiet femininity. Inspired by horses, Ricca Sposa Atelier pulled from strength, freedom, and grace of horses and applied those equestrian characteristics to the spring 2026 bridal collection.

This spring 2026 bridal collection brings a sense of peace and unity, creating an ethereal bond between woman and animal, where the gown becomes an extension of both spirit and form. The structured silhouettes of the gowns come to life with serene power, each fold and contour revealing quiet confidence and grace.

The 13 gowns in this bridal collection, crafted in taffeta and luxurious satin, epitomized the range of choices that are available to the modern bride. There are looks for the rehearsal dinner, the reception and for the wedding ceremony. And all looks are fresh and modern with a slight injection of vintage beauty.

Images courtesy of MVC Communications

These bridal garments reflect the philosophy and design DNA of Ricca Sposa Atelier. And that philosophy is a beautiful combination of minimalism, refined silhouettes, refined details, and sophisticated tailoring that appeals to the modern bridal consumer.

William S. Gooch

NARDOS Bridal Spring 2026

One of the bridal collections that is a must see for spring2026 is NARDOS and this season, NARDOS did not disappoint. We all headed on over to her Madison Avenue flagship store to showcase this stunning collection! NARDOS Creative Director Imam Nardos’ spring 2926 collection is entitled A Tribute to Grace, Heritage, and Timeless Elegance.

The spring 2026 bridal collection is inspired by the refined beauty and dignity of 1950s African American church attire—where classic modesty meets modern elegance. This season celebrates cultural heritage and the enduring spirit of grace through exquisite silhouettes, thoughtful details, and a timeless aesthetic.

Images courtesy of Andrew Werner

This collection is full of designs that reflect a timeless aesthetic of romantic, refined craftmanship, and elegant gowns. Some of our favorite gowns include a showstopper that has a structured bodice, delicate draping, and a dramatic overskirt adorned with hand-appliqued floral petals. The piece de resistance (at least in Fashion Reverie’s opinion), was the brand’s pearl embellished gown with head beading, sheer overskirt, and structured bodice, 1950’s African American church indeed—We’ll take one—of course with the matching hat and gloves.

—Renessta Olds

Viktor & Rolf Bridal Spring 2026

Viktor & Rolf Mariage spring 2026 presentation debuted a collection full of romance, femininity, and romance. Inspired by the royal and sumptuous gardens of a Queen, the collection harkens to the days of elegance in the royal courts, with touches of bows and florals and dramatic silhouettes that reflect on the wearers’ grace and refinement. Viktor & Rolf pay homage to past decades with sculpted bows, intricate floral lace embroideries, and voluminous gowns (think yards and yards of fabric) while also presenting contemporary pieces such as a floral bridal suit and mini dresses.

 Key pieces of the collection include the ‘Bow Abundance Gown’ with its cascading bow embellishments, reinterpreting an iconic motif of the era with modern precision. There are also the ‘Blooming Pansies Lace Mini’ handcrafted lace pansies, a tribute to a royal favorite, where delicate florals climb the dress with charm.

Structured yet ethereal, the silhouettes of Viktor & Rolf’s spring 2026 collection range from regal A-line gowns and sculptural ballgowns to elegant mermaids and flirtatious minis, culminating in the ‘Cascading Bouquets Dream,’ a breathtaking vision of handcrafted bouquets flowing down its voluminous layered tulle skirt. The collection also featured a reinterpretation of exclusive custom bow Jacquard fabric jacket, designed in-house, adding a touch of rich texture to tailored silhouettes, bringing a modern, wearable twist to historical inspiration.

Images courtesy of Viktory & Rolf

Draped bodices sculpt the figure with precision, while intricate pleating and handcrafted embellishments elevating each gown, and the integration of bows pays homage to their historical significance as symbols of status and beauty. This is not a collection for the faint of heart, but for that bridal consumer who is willing to take a risk. You will be the take of the bridal season.

Renessta Olds

 

 

Reem Acra Bridal Spring 2026

Does anyone remember the 1991 pop music hit “Diamonds and Pearls” and the accompanying video? The “Diamond and Pearls” video begins with Prince running away from the paparazzi, escaping into a room where there is a baby grand piano with a ballerina dancing in a bustier studded with diamonds, pearls, and lace.

In the 1980s and 1990s Prince distanced himself from other pop artists of that time by expertly producing videos that creatively expanded the vision of his music. And that was one of the joys of Prince’s music of that era, you knew you were going to experience a video that not only enhanced his videos but gave viewers a peep into the genius mind of Prince.

The same can also be said of Reem Acra. The bridal industry not only gets the opportunity experience the sumptuous beauty of Reem Acra’s bridal collection, Acra presents her bridal collection in way that further illuminates Acra’s vision of beauty, opulence, and bridal majesty.

For Reem Acra’s spring 2026 collection, Acra presented her bridal collection surrounded by floor crystal chandeliers. With this spectacular layout, Reem Acra made it so easy for the bridal industry to experience and imagine the luxurious majesty of her bridal collection.

This “Lace and Pearls” bridal collection was the epitome of grace, refinement, and craftmanship. The delicate lace of each bridal garment dances with the softest blooms, creating an ethereal symphony of love. Each piece in this elevated collection is crafted to evoke a sense of royalty, with intricate lace detailing that speaks to the finest artistry, and floral elements that whisper of nature’s more graceful beauty.

The designs capture the essence of a dream, blending classic elegance with modern allure, offering a sense of refinement that transcends trends. This is more than just a bridal collection; it is a celebration of love, craftsmanship and the unspoken poetry that accompanies the start of a new chapter.

Images courtesy of Atelier PR

Just as the bridal industry gasped at the beautiful grandeur of this collection, so will bridal consumers be amazed and enchanted. This spring 2026 collection is another bonafide hit for Reem Acra!!

William S. Gooch

Katherine Tash Bridal Spring 2026

At the start of this year, bridal designer Katherine Tash, unfortunately, lost her home in the devastating Palisades fire that ravished much of Los Angeles. Thankfully, she, her husband, and their three children all survived. In addition, her new 6000 square foot Atelier in Santa Monica escaped the fire’s path.

As a result, Tash was able to continue making brides dreams come true, even in the face of her own tragedy. For spring 2026, Tash debuted the “Heritage Collection,” celebrating a return to the core essential design principles that helped make Katherine Tash a popular bridal brand.

Among the design elements that made up the latest spring collection were dresses with low backs and corsets. The contrast of the two might be surprising to some consumers, but Tash’s customers tend to gravitate in these opposing directions. “The very low-cut back has become our signature,” Tash said during the press preview for her collection. “Our brides either want a full corset so they are fully snatched into their gowns, or they want a low-cut back with low-cut sides, so it’s sexy, but not too overt.”

The contrast of fluidity and structure has also become a Katherine Tash signature. The brand’s Arlo gown was an example of this, with its asymmetrical structured bust with long sleeves, cascading into a flowing skirt with a thigh-high slit and pearl button detail.

While many designers think of bridal wear in terms of full gowns and dresses, this season, Tash also began exploring the idea of doing separates. Corset style tops could detach from skirts, and be paired with jeans, or give brides the option of a more dramatic skirt or a classic column skirt depending on their mood.

Images courtesy of MVC Communications

“We thought about how we wanted separates mixed and matched, where corset tops could either be paired with skirts that were rehearsal dinner looks or after-party looks versus ceremony,” Tash said. “I also love the idea that the corset tops could be worn for a first wedding anniversary dinner with chic pants. Brides are trying to make the most of their bridal wear, which is great.”

Although the brand has returned to its core heritage, they have still adapted to the brides of today. There is power and perseverance in a timeless bridal silhouette.

Kristopher Fraser

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