Dennis Basso Spring 2026

Dennis Basso takes glamour to a new scale with this new collection that entangles in the world of blooming silhouettes and pure femininity. The fabrics are light and breezy, easy and flowing, in garments made from myriad silks, pleated chiffon, double faced satin, embroidered silk, point d’esprit, taffeta and organza.

“My inspiration for [spring] 2026 is the strong American woman, with a collection dapperly tailored and finished with flashes of femininity. It’s what I call New World glamour,” explained Dennis Basso.

The collection abounds with handmade silk petals to create a field of flowers in bloom. Flowing scarves, petite evening boleros, and the return of the “summer fur” in broadtail, sable and mink, complete the looks. The color palettes are soft and subtle, featuring mint, buttercup, and ice blue.

Images courtesy of Purple PR

The eternal chic of classic black and white is also included, which is known to be signature standard for a Dennis Basso collection. Silhouettes include one-shoulder gowns, knee-length dinner dresses, and a series of wide leg trousers along with daytime occasion ensembles.

—Lauren Pierre-Louis

L’Enchanteur Spring 2026

For spring 2026, L’Enchanteur transforms the runway into an aquatic journey, where sound, literature, and myth become one. The show draws on Drexciya’s Afrofuturist mythology of resilience, Alice Coltrane’s celestial jazz, and Leontyne Price’s operatic force to create an atmosphere that channels sound as spirit.

Grounded in texts like 20,000 Leagues Under the Sea and Paul Gilroy’s The Black Atlantic, the presentation reflects on the ocean as a connective force across diasporas, honoring humanity’s ability to imagine new worlds and their eternal bond to the cosmic womb from which all life emerges.

The brand explored fabrics that heighten the body’s energetic fields through megahertz frequencies. Color palettes draw from the deep sea, channeling the iridescence and mystery of oceanic life. Textiles range from floral lace and handwoven fabrics to textured leathers.

This season marks the introduction of L’Enchanteur footwear, expanding their design language into new silhouettes. ETA emblems appear across leather loafers, sandals, and flip-flops manufactured in Lagos, Nigeria. Fabrics and textiles sourced from Dominica tie together their paternal and maternal roots, a foundation embedded in their design approach and apparatus.

Images courtesy of Sandrine Charles PR

L’Enchanteur also focused on perfecting their unique firefly clasp closures for their signature ETA vests and wide shorts, as well as distinctive design elements like the sailor-styled pants in multiple patterns and silhouettes, highlighting their unique approach to design, form, and shape.

Lauren Pierre-Louis

NARDOS Spring 2026

NARDOS presented their spring 2026 runway collection, “Whispers of Renewal,” at the majestic Pierre New York, A Taj Hotel, setting the tone for the dreamy show. The Shakespearean inspired collection was full of curvy silhouettes and feminine dominance. The 52-piece collection was reminiscent of Shakespeare’s “A Midsummer Night’s Dream’s” fantasy elements mixed with the romance of “Romeo and Juliet.”

What makes this collection special is the tailoring of the garments.  In its entirety, the collection is easily adjustable for many sizes.  The architecture of these dresses is designed for the woman’s body and comfort. They have couture elements; a woman can move easily in each piece making it perfect for a long night at a wedding or any formal event. The colors are also timeless, pastels, whites with fuchsia and green. “Whispers of Renewal” befits the quiet luxury trend but can be worn long after the fashion girls move on to something else.

Images courtesy of theimpression.com

“Whispers of Renewal” was fun and fresh and classic.  “Rooted in timeless elegance and impeccable craftsmanship, the house reveals a spring 2026 collection that embodies renewal and transformation,” NARDOS comments on the “Whispers of Renewal” collection.

Farah Akbar

The Blonds Spring 2026

Hollywood has long been a driving inspiration for David and Phillipe Blond of The Blonds, who have dressed everyone from Beyoncé to Lil’ Kim for tours and performance appearances. This season, the designers drew inspiration from contemporary Hollywood glamour to create a fashion safari for their spring 2026 collection.

Their runway show opened with co-creative director Phillipe Blond wearing a gold beaded and crystal asymmetrical moto jacket dress with opulent shoulder pad details. Moto jackets have long been a Hollywood staple, having been a signature of many male film icons from Marlon Brando to John Travolta in “Grease.” Of course, The Blonds had to put their own bedazzled twist on one of the most classic staples of cinema icons and what would usually be an everyday wardrobe piece.

The fashion safari concept was evident through pieces evidenced in a leopard-print bodysuit with a matching corset and a leopard-print mini bodycon dress with matching gloves. One dress even featured tiger stripes, which, when it comes to animal prints, is a more uncommon pattern compared to leopard or cheetah print.

In this outing, The Blonds aimed to make the runway feel more cinematic, drawing inspiration from iconic silver-screen sirens and femme fatales throughout cinema history. The leopard-print dresses clearly nod to Nicole Kidman’s character, Suzanne Stone Moretto, in the 1995 film “To Die For,” where she wore a leopard-print dress while seducing Matt Dillon’s character, Larry Maretto. The catsuits were also a tribute to one of pop culture’s most famous femme fatales, Cat Woman.

Images courtesy of Purple PR

Rather than make the femme fatale an everyday fashionista, The Blonds once again bridged the gap between fashion and costume by creating looks that would be ready for an opulent film and imagining what a silver-screen siren would look like today if she were dripping in crystals, bejeweled corsets, and stilettoes. Whenever the camera is ready to roll, The Blonds are here to dress your star ladies in opulence.

—Kristopher Fraser

 

Frederick Anderson Spring 2026

If Frederick Anderson could use one word to encapsulate his latest spring 2026 collection, it would be “joy.” Joy might sound like a general theme for a fashion show; however, in the perilous times we are living in, with an uncertain economy, political divisions, and global wars, fashion should still provide joy and escapism.

Joy is also a sensible concept for the spring season. After emerging from cold and sometimes dark winters, spring brings flowers, warmer weather, and brighter colors for fashion. The opening look for his collection was a white ruffle shirt with a green, blue, stone, and yellow madras plaid combination jacket and shorts. Immediately upon seeing the look, spectators were transported to a tropical ambiance. Vacation planning began at the first sight of this look and didn’t stop there, as many of Anderson’s looks were vacation ready. What greater joy is there than a great vacation, after all?

The Frederick Anderson customer is the type of woman who is always on the go. She’s on a plane to Ibiza, she’s at her home in the Hamptons, or she’s in St. Tropez. She is always on the move, whether it’s finding her resort vacation to escape the Northeastern winter or preparing for a summer trip where she needs to lounge by the cabana.

Anderson prepares to dress this woman for any occasion. She might need a mesh bodice dress with a sheer white skirt as her ready-to-wear look to walk the boardwalk to the beach, or she might need a yellow and brown graphic print maxi dress to enjoy a rooftop brunch.

Images courtesy of essence.com, vogue.com, and the impressoin.com, respectively

One notable thing about the way Anderson designs for his customers is that he never puts them in anything too restrictive. She might be a society woman of elegance, but she isn’t trying to look like she’s dressed for a Victorian ball. There’s a modern sensibility to the way she dresses, and she values both fashion and comfort. It’s a sensible way to approach style for a woman who is always on the go. Anderson’s latest collection is a reminder that sometimes your happy place is on the move.

—Kristopher Fraser

 

 

 

 

 

Pamella Roland Spring 2026

Pamella Roland’s designer, Pamella DeVos, is best known for her opulent ball gowns and evening wear, but this season she dialed back the more opulent ball gowns and opted for more cocktail dresses and demure silhouettes. DeVos looked to some of the greatest modern artists of the 20th century, including Georgia O’Keeffe, Frank Stella, Andy Warhol, and Alice Baber, to inspire her latest designs.

Aqua, blush, champagne, red, lemon, and fuchsia helped define the color palette of the collection. The lyrical brushstrokes that were such a signature of O’Keeffe’s paintings translated to an orange, pink, and lavender gown with an asymmetrical bodice that looked like a painting come to life. Custom ombré chiffons also channeled O’Keeffe’s signature aesthetic.

Stella, who was famous for his geometric precision in painting and sculpture, inspired the opening look. The debut look for Pamella Roland’s spring 2026 was a mirrored laser-cut plexiglass cocktail dress with a flared skirt. Metallic lines and a lemon Mikado cocktail dress also echoed Stella’s architectural edge.

The watercolor chine of a fuchsia, lemon, blush pink, and beige dress was an ode to Baber’s watercolor paintings and the abstract expression that defined her art. Whereas fashion is considered the art we live and go about our lives in, DeVos took this concept literally, as she created art on clothes in several ways for this collection.

Images courtesy of Purple PR

Warhol’s pop sensibilities, which infused their DNA into these designs, were much subtler. A pink embroidered corset dress with a matching cape might at first appear like another beautiful piece of evening wear. Recall that one of Warhol’s most famous works was his silkscreen portraits of legendary film icon Marilyn Monroe. The pink Pamella Roland dress was a modern and elevated nod to the pink gown Monroe wore in the classic film “Gentlemen Prefer Blondes.”

Overall, the collection was a romantic celebration of American modernist painting, created for a lady who loves a good evening gown. For modern art collectors with a society gala or garden party to attend, this was the collection for you.

Kristopher Fraser

 

 

 

 

 

 

 

Norma Kamali Spring 2026

“This is not nostalgia. It is vision – a modern uniform: democratic, directional, and endlessly adaptive.” —Norma Kamali

The Norma Kamali spring 2026 presentation was divided into these parts: NORMA KAMALI SWEATS, NORMA KAMALI LIFESTYLE, AND WARDROBE X NORMA KAMALI/SWIM.  

As Fashion Reverie discovered at last season’s gallery style presentation, Norma Kamali is not a designer who is ever short of ideas, and she also stays true to her design esthetic while incorporating a touch of the current trend and fabric innovations. She has always been known for making clothing that is attractive and meant to be lived in. It’s a sad fact that women have a hard time finding clothing that checks all the boxes, but Norma Kamali garments check those boxes. Everything Fashion Reverie saw was affordable ($200 and under) and multigenerational.

Group 1, NORMA KAMALI SWEATS, shows the designer’s knack for embracing fabric technology to make what was comfy decades ago even more comfortable. Norma has been creating exceptional sweats since 1980. In her latest collection video, she describes her sweats as “comfort food that looks good.” The heather grey ones she showed look good with silver lame tops as fluid as liquid mercury.

Group 2, NORMA KAMALI LIFESTYLE, is all about mixing and matching everything from gowns to jumpsuits, tops, and pants, creating innumerable combinations. Easy-care wardrobe essentials like knee length shorts in black vegan leather and ballet pink pair beautifully with the brand’s staple bomber jacket and flowy long sleeve blouses that work for day and night dressing.

Images courtesy of Atelier PR

Group 3, /WARDROBE X NORMA KAMALI/SWIM is all about fluid jersey dressing. Long ruched body con gowns in a timeless palette of heather grey, white, black and ballet blush pink as well as her iconic boy short swim bottoms can be covered up with a bomber jacket that looks equally great paired with NK jersey dresses and gowns. The best part is that this is a collectible brand that you can expand on season after season with confidence, with the knowledge that everything can be paired together every which way, and that any combination will be flattering.

—Vivian Kelly

Malan Breton Spring 2026

With Malan Breton you can always expect show. And that is what he delivered for his spring 2026 collection. Still, after two decades of presenting collections during New York Fashion Week (NYFW) you would assume that Breton would understand that less is more.

In this spring 2026 collection, Malan Breton did not get the memo. Though there were some stunning garments in this collection, at times there were too many ideas, some which conflicted with Malan Breton’s inspiration. Malan Breton should have remembered what the great Coco Chanel once said, “Before you leave the house, look in the mirror and take one thing off.” In this case, Breton should have taken several things off.

That said, Malan Breton was inspired by time in four acts: Act 1, The Heart; Act 2, Time; Act 3, Transformation, and Act 4, Legacy.  In his program notes Breton exclaims, “Time is the most precious gift, threading life, machine, and humanity together, in a fleeting dance of creation and process. When honored, it reminds us that every moment fuels existence, innovation, and connection. In ways no machine can replicate.”

Through this spring 2026 collection Breton employed 1920s and 1970s themes. There were several beaded flapper-like cocktails dresses that make any woman shine and sparkle, as well as some sparkly sequined and beaded gowns that would complement any red-carpet appearance. Additionally, the sequined ladies’ pantsuits made a quite a statement.

When it comes to Malan Breton’s 70s-inspired men’s suiting there was quite a bit left to be desired. The flared pants were way too flared which threw off the portions of the suits. And some of the boxy shoulders of the suit jackets looked a bit odd with tailoring that could have been more precise.

The addition of former Broadway stars from the original production of “A Chorus Line,” namely Priscilla Lopez, Donna McKechnie, and Baayork Lee was and interesting cast choice. However, most of the audience members had no idea who these Broadway icons were—remember the original “A Chorus Line” is from the mid-1970s. Also, their addition added a kitschy in-your-face quality that Malan Breton should leave behind.

Images courtesy of Lawlor Media Group

Still, as with all Malan Breton’s fashion shows, there was a lot of glitz, glam, and panache. If only he would make his clothes the center of the collection. Bravo to Sandi Bass for great casting of the other models in the show.

—William S. Gooch

 

 

Cynthia Rowley Spring 2026

An eager sea of stripes, sequins, and color-blocked frocks snaked around the outskirts of Robert F. Wagner Park on September 13. As guests got to their seats, the view was a rewarding one. Sailboats with Cynthia Rowley-branded sails, striped in dazzling colors, circled each other between the park and the Statue of Liberty. The visual was the perfect foreshadowing for the collection, a blend of nautical and city slicker energy. It was a show where everyone was in the front row, as the models wove their runway struts through the wooden and concrete step benches.

Rowley’s standout looks were those that juxtaposed feminine fabrics or colors with tomboyish silhouettes, like the seafoam sequin tank paired with baggy khaki shorts and strappy heels. Athletic shorts were worn with silk blazers and stilettos. Nautical nostalgia was referenced in a madras/seersucker jacket and dress pairing, and several rugby shirts that matched the sails on the water behind them.

Notably. Cynthia Rowley’s daughter, 26-year-old Kit Keenan made her runway debut in a black strapless mini, decorated with mixed metal rings that sparkled in the sunset light.

Most looks were accessorized similarly; abstract gold and silver cuffs, belts with funky buckles set on the low waist, worn backwards, and layered on top of each other.

At the show’s end, Cynthia joined the models lined before the water’s edge, and the crew celebrated the joyous evening, full of smiles and cheers. It is impossible to ignore, Rowley has staying power.

Images courtesy of theimpression.com

Cynthia Rowley’s spring 2026 collection marked her 101st runway show during New York Fashion Week. The show came days after the CFDA’s announcement honoring her with the Founder’s Award in Honor of Eleanor Lambert.

—Marley Gifford

A.L.C Spring 2026

When it comes to labels sitting just shy of being a household name, A.L.C. by Andrea Lieberman consistently remains one to watch. Season after season, A.L.C. highlights the translation between modern sportswear and the polished, quietly glamorous look we see so often. The spring 2026 collection pushed that vision forward, balancing structure with softness, masculine tailoring with subtle femininity.

From the start of the show, it was clear there was a strong emphasis on ease. Relaxed trousers paired with fluid knits, draped jersey dresses, and boxy shirts cut in fine fabrics suggested a wardrobe built for the woman who values comfort without sacrificing presence. The use of SeaCell jersey—a fabric created from seaweed—gave pieces such as a navy column dress a weightless, airy quality, while a mint knit set seemed designed to move with the body rather than against it.

This loose tailoring stayed consistent throughout the collection. Wide-leg trousers hung loose rather than stiff, blazers skimmed the frame instead of constricting it, and jeans, too, took on a loose silhouette, signaling A.L.C.’s ongoing commitment to wearability over rigidity. It all felt like stepping into the wardrobe of the coolest, most self-assured woman you know, minimal in palette, heavy on versatility, punctuated by sharp pops of orange and lace.

Images courtesy of vogue.com

Accessories stayed understated, allowing the clothes to do the talking, but the craftsmanship and materiality underscored Lieberman’s point: these are garments made to last, cut for confidence, and softened for reality.

—Sydney Yeager

 

 

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