Ines Di Santo Bridal Spring 2018

Ines_Di_Santo_Bridal_Spring_2018If you are Ines di Santo, less is more. Particularly when comes to Di Santo’s spring 2018 bridal collection.

“This season became a dance with the artist and the editor in my mind. Not a stitch more than what was needed, yet full license to push a design that was simply more,” said di Santo in the collections program notes.

Collages1274Ines di Santo is known for her couture-like bridal gowns that employ exquisite embellishments and floral appliques and cutouts. That said; the bridal spring 2018 collection is a redirection of the brand to go for simplicity or the less is more design concept. However, when a designer has the craftsmanship that Ines di Santo possesses, changing brand direction does not diminish the beauty and sophistication of the collection, but only serves to prove the design dexterity of a true master.

And though the theatricality of Ines di Santo’s designs has been a mainstay of her collections, exciting bridal editors and consumers alike, the theatricality of her bridal garments did not distract from the attention to detail and di Santo’s mastery of technique. That mastery of technique is what stood out in this ‘less is more’ spring 2018 collection.

Collages1275Though this somewhat restrained collection did not contain some of the elements that has marked di Santo’s design aesthetic, there were new trends and continuing trends in place. Some of the bridal gowns gave a nod to the continuing ruffle trend. Add to that some very large bows in the front and back of the gowns, as well as lots of halter and spaghetti strap bodices that accentuated the sexiness of this fashion outing.

Images courtesy of Atelier PR

Images courtesy of Atelier PR

Standout looks in this bridal spring 2018 collection were di Santo’s sleeveless plunging sweetheart illusion sheath gown with front slit accent and dramatic lace insert with detachable train, sleeveless wide square-neck dropped waist ball gown with contoured seaming, hidden pockets, embroidered lingerie bodice sheath with sweetheart neck, low V-back and signature side hidden zipper, floral embellished sleeveless sweetheart ball gown with inverted apron skirt, illusion back and dramatic cathedral train. Giving a nod to Asian weddings were brides wear red, the bridal showpiece of the collection was a halter neck sweetheart corset modified trumpet gown with asymmetrical pleated skirt and exaggerated dramatic bow back detail.

—William S. Gooch


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